We were delighted to meet in an old Carthusian convent a Spanish family whom political reasons had compelled to seek a hiding-place there, and who possessed a tolerably decent suite of peasant furniture. The refugees intended to pass over to France; we, therefore, bought the furniture for three times its value, and installed ourselves in the convent of Valdemosa: a poetical name, a poetical abode--charming scenery, grand and wild, with the sea bordering on the horizon, formidable heights around us, eagles pursuing their prey even into the orange groves of our garden, a path planted with cypresses and winding its way from the top of the mountain to the bottom of the ravine; under our feet torrents, overhung by myrtles and palms.... We were unable to procure servants, because we were not _Christians_; and besides, nobody cared to wait upon a consumptive person.... We scarcely ever met a soul; nothing disturbed our occupations. After waiting for two months, and having to pay a duty of 300 francs, Chopin at last obtained his piano, and the vaults of the convent cells were enlivened by its melody. Maurice visibly improved every day in health and strength; as for me, I used to perform the duties of a tutor seven hours a day.... During one-half of the night I worked for myself. Chopin composed some of his masterpieces, and we were in hopes of swallowing our vexations by the aid of these compensating influences. But, owing to the elevated position of the convent, the climate eventually became unbearable. We were living in the midst of clouds, and for fifty days we were unable to descend to the valley. The roads had been changed into torrents, and we could no longer see the sun.