Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
The mid-day breakfast at Nohant was not yet over when I reached the
house, and I found a large party assembled. I entered with some
trepidation, ... but the simplicity of Madame Sand’s manner put me at
ease in a moment. She named some of those present; amongst them were
her son and daughter, the Maurice and Solange so familiar to us from
her books, and Chopin with his wonderful eyes. There was at that time
nothing astonishing in Madame Sand’s appearance. She was not in man’s
clothes; she wore a sort of costume not impossible, I should think
(although on these matters I speak with hesitation), to members of the
fair sex at this hour amongst ourselves, as an out-of-door dress for
the country or for Scotland. She made me sit by her and poured out for
me the insipid and depressing beverage, _boisson fade et mélancolique_,
as Balzac called it, for which English people are thought abroad
to be always thirsting,--tea. She conversed of the country through
which I had been wandering, of the Berry peasants and their mode of
life, of Switzerland, whither I was going; she touched politely, by
a few questions and remarks, upon England and things and persons
English--upon Oxford and Cambridge, Byron, Bulwer. As she spoke her
eyes, head, bearing, were all of them striking; but the main impression
she made was an impression of what I have already mentioned,--of
_simplicity_, frank, cordial simplicity. After breakfast she led the
way into the garden, asked me a few kind questions about myself and
my plans, gathered a flower or two and gave them to me, shook hands
heartily at the gate, and I saw her no more.
MATTHEW ARNOLD: _George Sand_. ‘Mixed Essays,’ etc. New York; Macmillan
& Co. 1883.
* * * * *
[Sidenote: Margaret Fuller’s account of her in 1847.]
[Sidenote: Appearance.]
Public-domain text, read in full here on John Shaqi.
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