Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century — John Shaqi
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth CenturyLee, Vernon
General
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century
Lee, Vernon
Castles -- Fiction; Gothic fiction; Married women -- Fiction; Smugglers -- Fiction; Uncles -- Fiction; Wales -- Fiction
The beginning of our calamities was, as I said, on the death of Sir
Thomas Brandling, my husband's only brother. I have preserved a most
vivid recollection of the day which brought us that news, perhaps
because, looked back upon ever after, it seemed the definite boundary of
a whole part of our life, left so quickly and utterly behind, as the
shore is left even with the first few strokes of the oars. My dear
mother and I were in the laundry, where the maids were busy putting by
the freshly ironed linen. My mother, who was ever more skilful with her
hands, as she was nimbler in her thoughts, than I, had put aside all the
most delicate pieces and the lace to dress and iron herself; while I,
who had made a number of large bundles of lavender (our garden had
never produced it in so great profusion), was standing on a chair and
placing them in the shelves of the presses, between each bale of sheets
and table linen which the maids had lifted up to me. When, looking
through the open glass door, I saw Vincent, the farm servant, hurrying
along the lime walk, and across the kitchen garden, and waving a packet
at us. He had been to the city to buy sugar, I remember, for the
raspberry jam, which my mother, an excellent cook, had decided to
sweeten a second time, for fear of its turning.
"He seems very excited," said my mother, looking out. "I declare he has
a book or packet, perhaps it is the _Journal des Savants_ for Eustace,
or that opera by Monsieur Gluck, which your uncle promised you. I hope
he has not forgotten the nutmegs." I write down these childish details
because I cherished them for years, as one might cherish a blade of
grass or a leaf, carelessly put as a marker in a book, and belonging to
a country one will never revisit.
"It is a letter for Eustace," said my mother, "and very heavy too. I am
glad Vincent had more money than necessary, for it must have cost a lot
at the post." And going under my husband's laboratory window she asked
whether he wanted the letter at once, or would wait to open it at dinner
time. "I am only cleaning my instruments," he answered, "let me have
the letter now." His voice, as I hear it through all those years, sounds
so happy and boyish. It was altered, and it seemed at the time naturally
enough, when he presently came down to the laundry and said very
briefly, "My brother is dead ... it is supposed a stab from a drunken
sailor at Bristol. A shocking business. It is my Uncle Hubert who
writes." He had sat down by the ironing table and spoke in short, dry
sentences.
There was something extraordinary about his voice, not grief, but
agitation, which somehow made it utterly impossible for me to do what
would have been natural under the circumstances, to put my arms round
his neck and tell him I shared his trouble. Instead of which every word
he uttered seemed to ward me off as with the sword's point, and to cover
himself, as a fencer covers his vitals.
Public-domain text, read in full here on John Shaqi.
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