Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century — John Shaqi
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth CenturyLee, Vernon
General
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century
Lee, Vernon
Castles -- Fiction; Gothic fiction; Married women -- Fiction; Smugglers -- Fiction; Uncles -- Fiction; Wales -- Fiction
"Get some brandy for him, Penelope. He is feeling faint," said my
mother, tossing me her keys. I obeyed, feeling that she understood and I
did not, as often happened between us. I was a few minutes away, for I
had to cross the yard to the dwelling house, and then I found that my
mother had given me the wrong keys. I filled a glass from a jar of
cherries we had just put up, and returned to the laundry. My husband was
white, but did not look at all faint. He was leaning his elbow on the
deal table covered with blanket, and nervously folding and stretching a
ruffle which lay by the bowl of starch. When I came in he suddenly
stopped speaking, and my mother saw that I noticed it.
"Eustace was saying, my dear," she said, "that he will have to
go--almost immediately--to England, on account of the property. He
wanted to go on alone, and fetch you later, when things should be a
little to rights. But I was telling him, Penelope, that I felt sure you
would recognise it as your duty to go with him from the very first, and
help him through any difficulties."
My dear mother had resumed her ironing; and as she said these last
words, her voice trembled a little, and she stooped very attentively
over the cap she was smoothing.
Eustace was sitting there, so unlike himself suddenly, and muttered
nervously, "I really can see no occasion, Maman, for anything of the
sort."
I cannot say what possessed me; I verily think a presentiment of the
future. But I put down the plate and glass, looked from my mother to my
husband, and burst into a childish flood of tears. I heard my husband
give a little peevish "Ah!" rise, leave the room, and then bang the door
of his laboratory upstairs behind him. And then I felt my dear mother's
arms about me, and her kiss on my cheek. I mopped my eyes with my apron,
but at first I could not see properly for the tears. When I was able to
see again what struck me was the scene through the long window, open
down to the ground.
Public-domain text, read in full here on John Shaqi.
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