Penelope Brandling: A Tale of the Welsh coast in the Eighteenth CenturyLee, Vernon
General
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century
Lee, Vernon
Castles -- Fiction; Gothic fiction; Married women -- Fiction; Smugglers -- Fiction; Uncles -- Fiction; Wales -- Fiction
It was a lovely evening, and the air full of the sweetness of lime
blossom. The low sunlight made the plaster of our big old house a pale
golden, and the old woodwork of its wooden eaves, wide and shaped like
an inverted boat, as is the Swiss fashion, of a beautiful rosy purple.
The dogs were lying on the house steps, by the great tubs of hydrangeas
and flowering pomegranates; and beyond the sanded yard I could see the
bent back of Vincent stooping among the hives in the kitchen garden. The
grass beyond was brilliant green, all powdered with hemlock flower; and
the sun made a deep track in the avenue, along which the cows were
trotting home to be milked. I felt my heart break, as once or twice I
had foolishly done as a child, and in a manner in which I have never
felt it again despite all my later miseries. I suppose it was that I was
only then really ceasing to be a child, though I had been married two
years. It was evidently in my mother's thoughts, for she followed my
glance with hers, and then said very solemnly, and kissing me again (she
had not let go of me all this while), "My poor little Penelope! you must
learn to be a woman. You will want all your strength and all your
courage to help your husband."
That was really the end, or the beginning. There were some weeks of
plan-making and preparations, a bad dream which has faded away from my
memory. And then, at the beginning of August of that year--1772--my
husband and I started from Grandfey for St. Salvat's.
I
_September_ 29, 1772.
This is my first night in what, henceforward, is going to be my home.
The thought should be a happy and a solemn one; but it merely goes on
and on in my head like the words of a song in some unknown language.
Eustace has gone below to his uncles; and I am alone in this great room,
and also, I imagine, in the whole wing of this great house. The wax
lights on the dressing-table, and the unsnuffed dip with which the old
housekeeper lit us through endless passages, leave all the corners dark.
But the moonlight pours in through the vast, cage-like window. The moon
is shining on a strip of sea above the tree-tops, and the noise of the
sea is quite close; a noise quite unlike that of any running water, and
methinks very melancholy and hopeless in expression. I tried to enjoy it
like a play, or a romance which one reads; and indeed, the whole
impression of this castle is marvellously romantic.
Public-domain text, read in full here on John Shaqi.
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