us as we turn into the lane, and calls to the family to make itself ready, as quality's comin' in sight. The older children can scramble under the bed, slip shoes over their bare feet, and be out in front of the cabin without the loss of a single minute. 'Mickey jew'l,' the baby, who is only four, but 'who can handle a stick as bould as a man,' is generally clad in a ragged skirt, slit every few inches from waist to hem, so that it resembles a cotton fringe. The little coateen that tops this costume is sometimes, by way of diversion, transferred to the dog, who runs off with it; but if we appear at this unlucky moment, there is a stylish yoke of pink ribbon and soiled lace which one of the girls pins over Mickey jew'l's naked shoulders. Moya, who has this eye for picturesque propriety, is a great friend of mine, and has many questions about the Big Country when we take our walks. She longs to emigrate, but the time is not ripe yet. “The girls that come back has a lovely style to thim,” she says wistfully, “but they're so polite they can't live in the cabins anny more and be contint.” The 'boys' are not always so improved, she thinks. “You'd niver find a boy in Ballyfuchsia that would say annything rude to a girl; but when they come back from Ameriky, it's too free they've grown intirely.” It is a dull life for them, she says, when they have once been away; though to be sure Ballyfuchsia is a pleasanter place than Dooclone, where the priest does not approve of dancing, and, however secretly you may do it, the curate hears of it, and will speak your name in church. It was Moya who told me of Kitty's fortune. “She's not the match that Farmer Brodigan's daughter Kathleen is, to be sure; for he's a rich man, and has given her an iligant eddication in Cork, so that she can look high for a husband. She won't be takin' up wid anny of our boys, wid her two hundred pounds and her twenty cows and her pianya. Och, it's a thriminjus player she is, ma'am. She's that quick and that strong that you'd say she wouldn't lave a string on it.” Some of the young men and girls never see each other before the marriage, Moya says. “But sure,” she adds shyly, “I'd niver be contint with that, though some love matches doesn't turn out anny better than the others.” “I hope it will be a love match with you, and that I shall dance at your wedding, Moya,” I say to her smilingly. “Faith, I'm thinkin' my husband's intinded mother died an old maid in Dublin,” she answers merrily. “It's a small fortune I'll be havin' and few lovers; but you'll be soon dancing at Kathleen Brodigan's wedding, or Kitty O'Rourke's, maybe.” I do not pretend to understand these humble romances, with their foundations of cows and linen, which are after all no more sordid than bank stock and trousseaux from Paris. The sentiment of the Irish peasant lover seems to be frankly and truly expressed in the verses:--