'Oh! Moya's wise and beautiful, has wealth in plenteous store, And fortune fine in calves and kine, and lovers half a score; Her faintest smile would saints beguile, or sinners captivate, Oh! I think a dale of Moya, but I'll surely marry Kate. . . . . . 'Now to let you know the raison why I cannot have my way, Nor bid my heart decide the part the lover must obey-- The calves and kine of Kate are nine, while Moya owns but eight, So with all my love for Moya I'm compelled to marry Kate!' I gave Moya a lace neckerchief the other day, and she was rarely pleased, running into the cabin with it and showing it to her mother with great pride. After we had walked a bit down the boreen she excused herself for an instant, and, returning to my side, explained that she had gone back to ask her mother to mind the kerchief, and not let the 'cow knock it'! Lady Kilbally tells us that some of the girls who work in the mills deny themselves proper food, and live on bread and tea for a month, to save the price of a gay ribbon. This is trying, no doubt, to a philanthropist, but is it not partly a starved sense of beauty asserting itself? If it has none of the usual outlets, where can imagination express itself if not in some paltry thing like a ribbon? Chapter XIV. Mrs. Mullarkey's iligant locks. 'Where spreads the beautiful water to gay or cloudy skies, And the purple peaks of Killarney from ancient woods arise.' William Allingham. Mrs. Mullarkey cannot spoil this paradise for us. When I wake in the morning, the fuchsia-tree outside my window is such a glorious mass of colour that it distracts my eyes from the unwashed glass. The air is still; the mountains in the far distance are clear purple; everything is fresh washed and purified for the new day. Francesca and I leave the house sleeping, and make our way to the bogs. We love to sit under a blossoming sloe-bush and see the silver pools glistening here and there in the turf cuttings, and watch the transparent vapour rising from the red-brown of the purple-shadowed bog fields. Dinnis Rooney, half awake, leisurely, silent, is moving among the stacks with his creel. How the missel thrushes sing in the woods, and the plaintive note of the curlew gives the last touch of mysterious tenderness to the scene. There is a moist, rich fragrance of meadowsweet and bog myrtle in the air; and how fresh and wild and verdant it is!