Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
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Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
His home is but a poor place, but the rough room in which he works is
big enough to hold a deal of sweet content. It is cheery enough, too,
to attract the Pettybaw weans, who steal in on wet days and sit on the
floor playing with the thrums, or with bits of colored ravelings.
Sometimes when they have proved themselves wise and prudent little
virgins, they are even allowed to touch the hanks of pink and yellow
and blue yarn that lie in rainbow-hued confusion on the long deal
table.
All this time the "heddles" go up and down, up and down, with their
ceaseless clatter, and David throws the shuttle back and forth as he
weaves his old-fashioned winseys.
We have grown to be good friends, David and I, and I have been
permitted the signal honor of painting him at his work.
The loom stands by an eastern window, and the rare Pettybaw sunshine
filters through the branches of a tree, shines upon the dusty
window-panes, and throws a halo round David's head that he well
deserves and little suspects. In my foreground sit Meg and Jean and
Elspeth playing with thrums and wearing the fruit of David's loom in
their gingham frocks. David himself sits on his wooden bench behind
the maze of cords that form the "loom harness."
The snows of seventy winters powder his hair and beard. His spectacles
are often pushed back on his kindly brow, but no glass could wholly
obscure the clear integrity and steadfast purity of his eyes; and as
for his smile I have not the art to paint that! It holds in solution
so many sweet though humble virtues of patience, temperance,
self-denial, honest endeavor, that my brush falters in the attempt to
fix the radiant whole upon the canvas. Fashions come and go, modern
improvements transform the arts and trades, manual skill gives way to
the cunning of the machine, but old David Robb, after more than fifty
years of toil, still sits at his hand-loom and weaves his winseys for
the Pettybaw bairnies.
David has small book-learning, so he tells me; and indeed he had need
to tell me, for I should never have discovered it myself,--one misses
it so little when the larger things are all present!
Public-domain text, read in full here on John Shaqi.
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