After a series of powerful delineations, he describes slavery and freedom, justice, wisdom, peace and love, in exquisite terms. Then he turns to their lamps--science, poetry, and thought, which make secure "the lot of the dwellers in the cot." He advises--That, on some spot of English ground, should be convened a great assembly of the fearless and the free, who shall come from the bounds of the English coast, and from every hut, village, and town, where, for other's misery and their own, they live, suffer, and moan. Also, "From the workhouse and the prison, Where, pale as corpses newly risen, Women, children, young and old, Groan for pain, and weep for cold; "From the haunts of daily life, Where is waged the daily strife With common wants and common cares, Which sow the human heart with tares." When face to face with their oppressors, no force should be used, but instead "strong and simple words, Keen to wound as sharpened swords, And wide as targes let them be, With their shade to cover ye." The description of the Peterloo massacre which follows, is one of the finest pieces of composition in the language, and the poem concludes by calling the "Men of England, Heirs of Glory, Heroes of Unwritten Story," to "Rise like lions after slumber In unvanquishable NUMBER! Shake your chains to earth, like dew Which in sleep had fall'n on you; 'YE ARE MANY--THEY ARE FEW.'" In a pamphlet, written ostensibly on the death of the Princess Charlotte, he calls attention to the fact that three men had been executed in the interests of the "big-hearted and generous capitalists," of whom we now-a-days hear so much from their interested admirers, but whose wings are now fortunately clipped. Shelley considered that there was no real wealth but man's labor, and that speculators pandering to selfishness, the twin-sister of debased theology, took a pride in the production of useless articles of luxury and ostentation. Imbued with this spirit, a man of wealth imagines himself a patriot when employing laborers on the erection of a mansion, or a woman of fashion indulging in luxurious dress, fancies she is aiding the laboring poor. He observes of such instances as these: