Perfumes and their preparation : $b Containing complete directions for making handkerchief perfumes, smelling-salts, sachets, fumigating pastils; preparations for the care of the skin, the mouth, the hair; cosmetics, hair dyes, and other toilet articlesAskinson, George William
Science
Perfumes and their preparation : $b Containing complete directions for making handkerchief perfumes, smelling-salts, sachets, fumigating pastils; preparations for the care of the skin, the mouth, the hair; cosmetics, hair dyes, and other toilet articles
Askinson, George William
Cosmetics; Perfumes
CHAPTER XXII.
The Preparations Used for the Care of the Hair
(Pomades and Hair Oils) 245
CHAPTER XXIII.
Formulas for the Manufacture of Pomades and Hair Oils 247
CHAPTER XXIV.
Preparations for the Care of the Mouth 257
CHAPTER XXV.
Cosmetic Perfumery 269
CHAPTER XXVI.
Skin Cosmetics and Face Lotions 270
CHAPTER XXVII.
Hair Cosmetics 280
CHAPTER XXVIII.
Hair Dyes and Depilatories 285
CHAPTER XXIX.
Wax Pomades, Bandolines, and Brillantines 294
CHAPTER XXX.
The Colors Used in Perfumery 297
CHAPTER XXXI.
The Utensils Used in the Toilet 301
PERFUMES AND THEIR PREPARATION.
CHAPTER I.
THE HISTORY OF PERFUMERY.
The gratification of his senses is peculiar to man, and it is to this
trait that we are indebted for all the arts. The activities which
aimed at the gratification of the eye and ear developed into the
creative arts and music, and in like manner human endeavor directed
toward the stimulation of the sense of smell has in our time assumed
the proportions both of an art and a science; for it was nothing but
the advancement of chemistry that made it possible to fix all the
pleasant odors offered by nature and to create new perfumes by the
artistic combination of these scents. The preparation of perfumes is a
very ancient art that is met with among all peoples possessed of any
degree of civilization. It is particularly the ancient nations of the
Orient which had in truth become masters in the manufacture of numerous
perfumes.
The first perfume was the fragrant flower; it has continued to be so
to the present day: the sprig of dried lavender flowers which we lay
in the clothes-press was probably used for the same purpose by the
contemporaries of Aristotle. In the Orient, which we may look upon as
the cradle of the art of perfumery, the idea suggested itself early to
substitute for the delicious fragrance of the flowers some substances
of lasting odor; various sweet-scented resins supplied the material
for this purpose. The use of these aromatic resins must have been
very extensive: the ancient Egyptians alone consumed extraordinary
quantities for embalming their dead. How highly the Oriental peoples
in general prized perfumes can be learned from the Bible: the Jews
(like the Catholics to the present day) employed an aromatic gum-resin
(olibanum, frankincense) in their religious ceremonies; in the Song of
Solomon mention is made of Indian perfumes, for instance, cinnamon,
spikenard, myrrh, and aloes.
Public-domain text, read in full here on John Shaqi.
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