Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
Of Molech little is said in the tablets, except that “he took the
children,”[85] but a curious fragment of an old Accadian hymn indicates
that the children of these highlanders were offered, as burnt offerings,
in very early times; and hence, says Prof. Sayce, “the bloody sacrifices
offered to Molech were no Semitic invention, but handed on to them, with
so much else, by the Turānian population of Chaldea.”[86] The Mosaic law
was especially severe upon this “abomination” of human sacrifices, the
death penalty being ordered for every such offence.[87]
CHEMOSH.
This sun-god was worshipped as the Supreme, and in his honor, his early
worshippers sang praises, offered sacrifices and performed incantations.
The success of Mesha, king of Moab, in his revolt against the king of
Israel, was commemorated by the erection of the celebrated Moabite
stone[88] whereon was recorded the inscription ascribing his victory to
Chemosh, his favorite deity. The principal title of Chemosh[89] was
“Judge of heaven and earth,” but he afterward held a less important
position in the Chaldaic-Babylonian pantheon, which was adopted by the
Assyrians, and was considered inferior to Sin, the moon-god, who was
sometimes said to be his father. There are several tablets bearing
magical incantations and songs to the sun-god.
But the hideous idols that occupied the palatial temples of Chemosh at
Larsam, in Southern Chaldea, and at Sippara, in the north of Babylonia,
became more refined in the poetry of the Vedas, and he appeared in the
mythology of the Hindūs as Sūrya, the god of day, who rode across the
heavens in a car of flame drawn by milk-white horses.
INCANTATIONS TO FIRE AND WATER
There are also Assyrian incantations to fire and water, which represent
the imagery of the primitive Babylonians, and these inscriptions also
suggest a possible foundation for the hymns of the Ṛig-veda. There is a
great similarity of style between the literature of the tablets and the
early hymns of the Hindūs. The tablets speak of “An incantation to the
waters pure, the waters of the Euphrates—the water in which the abyss
firmly is established, the noble mouth of Hea shines upon them.
Waters they are shining (clear), waters they are bright. The god of the
river puts him (the enchanter) to flight,” etc. In the incantation to
fire, there are also many eloquent passages: “The Fire-god—the prince
which is in the lofty country—the warrior, son of the abyss—the god of
fire with thy holy fires—in the house of darkness, light thou art
establishing.
Of Bronze and lead, the mixer of them thou (art). Of silver and gold,
the blesser of them thou (art).”[90] This Fire-god of the Accadians was
represented by the Hindū Agni, from whose body issued seven streams of
glory, and by Loki, whose burning breath is poured from the throbbing
mountains of the Northmen.
IM.
Public-domain text, read in full here on John Shaqi.
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