Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
In this pantheon of mythology, as defined by the tablets, Im was the god
of the sky, sometimes called Rimmon, the god of lightning and storms, of
rain and thunder. He is represented among the Hindūs as Indra, who
furiously drives his tawny steeds to the battle of the elements. With
the Greek and Latins he was personated by Zeus and Jupiter, “the cloud-
compelling Jove,” while among the Northmen he wears the form of Thor,
whose frown is the gathering of the storm-clouds, and whose angry voice
echoes in the thunder-bolt.
BAAL,
or Bel (plural Baalim), was also an important character, and indeed,
according to Dr. Oppert, all of the Phœnician gods were included
under the general name of Baal,[91] and human sacrifices were often made
upon their blood-stained altars. He had a magnificent temple in Tyre,
which was founded by Hiram, where he had symbolic pillars, one of gold
and one of smaragdus. An inscription[92] on the sarcophagus of
Esmunazar, king of the two Sidons, claims that he, too, built a temple
to Ashtaroth, and “placed there the images of Ashtaroth,” and also “the
temple of Baal-Sidon, and the temple of Astarte, who bears the name of
this Baal;” that is, the temple of Baal and the temple of Astarte, or
Ashtaroth, at Sidon.
The grossest sensuality characterized some forms of the worship of Baal
and Ashtaroth. Indeed, it can only be compared to the unmentionable
rites which two thousand years later pertained to the worship of Kṛishṇa
and Śiva.
In the inscription of Tiglath Pilesar I, Baal is called “the King of
Constellations,” and the fact that he was thus worshipped is a peculiar
explanation of the frequent condemnation in the book of Kings of the
worship of “the host of Heaven,” which is repeatedly spoken of in
connection with the altars of Baal.[93]
TAMMUZ.
This is another form of the sun-god, who is represented as being slain
by the boar’s tusk of winter. June is the month of Tammuz, and his
festival began with the cutting of the sacred fir tree in which the god
had hidden himself. A tablet in the British Museum states that the
sacred dark fir tree which grew in the city of Eridu, was the couch of
the mother goddess.[94] The sacred tree having been cut and carried into
the idol-temple, there came the search for Tammuz, when the devotees ran
wildly about weeping and wailing for the lost one,[95] and cutting
themselves with knives. His wife, Ishtar, descended to the lower world
to search for him, and the tablets furnish another poem which seems to
celebrate a temple similar to that recorded by Maimonides, in which the
Babylonian gods gathered around the image of the sun-god, to lament his
death. The statue of Tammuz was placed on a bier and followed by bands
of mourners, crying and singing a funeral dirge. He is also called Dūzi,
“the son.” Tammuz is the proper Syriac name for Adonis of the Greeks.
ISHTAR.
Public-domain text, read in full here on John Shaqi.
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