Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
This goddess, who is sometimes called Astarte, was the most important
female deity of this early pantheon. The Persian form of the word is
Astara. In Phœnician it is Ashtaroth,[96] and according to Dr. Oppert
all the Phœnician goddesses were included under this general name.
Another form of the name afterward appeared in Greek mythology as
Asteria, and it was applied to the beautiful goddess who fled from the
suit of Jove, and, flinging herself down from heaven into the sea,
became the island afterward named Delos.
The farther back we go in the world’s history the nearer we approach to
the original idea of monotheism, and originally there was only one
goddess, Ishtar or Ashtaroth, personifying both love and war, but two
such opposite characteristics could not long remain the leading
attributes of the same deity, and hence after a time, there were
mentioned three goddesses bearing the same name.
ISHTAR OF ARBELA
was the goddess of war, the “Lady of Battles.” She was the daughter of
Anū, whose messengers were the seven evil spirits, and the favorite
goddess of King Assur-bani-pal, who claims that he received his bow from
her, though he declares in his inscriptions that he worshipped also Bel
or Baal, and Nebo; he frequently implores the protection of Ishtar.
“Oh, thou, goddess of goddesses, terrible in battle, goddess in war,
queen of the gods! Teūman, king of Elam, he gathered his army and
prepared for war; he urges his fighting men to go to Assyria. Oh, thou,
archer of the gods, like a weight, in the midst of the battle, throw him
down and crush him.”[97] Ishtar of Arbela afterward became the Bellona
of the Latins, and the Enyo of the Greeks. Under the name of Anatis, or
Anāhid, she was worshipped in Armenia, and also in Cappadocia, where she
had a splendid temple, served by a college of priests, and more than six
thousand temple servants. Her image, according to Pliny,[98] was of
solid gold, and her high priest was second only to the king himself.
Strabo calls this goddess Enyo, and Berosus considers that she is
identical with Venus. The inscriptions of Artaxerxes, discovered at
Susa, call her Anāhid, which was the Persian name of the planet Venus.
The characteristics of Venus, the queen of beauty, may seem somewhat at
variance with Ishtar of Arbela, the goddess of war, but it will be
remembered that the Greeks of Cythera, one of the Ionian islands,
worshipped an armed Venus, and from this island she took the name of
Cythera; the fable that she rose from the sea probably means that her
worship was introduced into the island by a maritime people, doubtless
the Phœnicians.
ISHTAR OF ERECH,
the daughter of Anū and Annatu, is another form of this popular goddess,
and one of the Assyrian tablets refers to the dedication of horses at
the temple of Bit-ili at Erech, where the king of Elam dedicated white
horses with silver saddles to Ishtar, the tutelar divinity of Erech.
Public-domain text, read in full here on John Shaqi.
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