Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
General
Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
The fog, which earlier in the afternoon had been but a blue haze,
softening the hard outlines of the street, had now settled down in
earnest, choking up the doorways, wiping out the tops of the buildings,
their facades starred here and there with gas-jets, and making a smudged
drawing of the columns of the Custom House opposite.
“Superb, are they not?” said Peter, as he wheeled and stood looking at
the row of monoliths supporting the roof of the huge granite pile, each
column in relief against the dark shadows of the portico. “And they
are never so beautiful to me, my boy, as when the ugly parts of the old
building are lost in the fog. Follow the lines of these watchmen of the
temple! These grave, dignified, majestic columns standing out in the
gloom keeping guard! But it is only a question of time--down they'll
come! See if they don't!”
“They will never dare move them,” I protested. “It would be too great a
sacrilege.” The best way to get Peter properly started is never to agree
with him.
“Not move them! They will break them up for dock-filling before ten
years are out. They're in the way, my boy; they shut out the light;
can't hang signs on them; can't plaster them over with theatre bills; no
earthly use. 'Wall Street isn't Rome or any other excavated ruin; it's
the centre of the universe'--that's the way the fellows behind these
glass windows talk.” Here Peter pointed to the offices of some prominent
bankers, where other belated clerks were still at work under shaded
gas-jets. “These fellows don't want anything classic; they want
something that'll earn four per cent.”
We were now opposite the Sub-Treasury, its roof lost in the settling
fogs, the bronze figure of the Father of His Country dominating the
flight of marble steps and the adjacent streets.
Again Peter wheeled; this time he lifted his hat to the statue.
“Good evening, your Excellency,” he said in a voice mellowed to the same
respectful tone with which he would have addressed the original in the
flesh.
Suddenly he loosened his arm from mine and squared himself so he could
look into my face.
“I notice that you seldom salute him, Major, and it grieves me,” he said
with a grim smile.
I broke into a laugh. “Do you think he would feel hurt if I didn't.”
Public-domain text, read in full here on John Shaqi.
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