Phallic Worship: A description of the mysteries of the sex worship of the ancients, with the history of the masculine cross. An account of primitive symbolism, Hebrew phallicism, bacchic festivals, sexual rites, and the mysteries of the ancient faiths.Jennings, Hargrave
Religion
Phallic Worship: A description of the mysteries of the sex worship of the ancients, with the history of the masculine cross. An account of primitive symbolism, Hebrew phallicism, bacchic festivals, sexual rites, and the mysteries of the ancient faiths.
Jennings, Hargrave
Phallicism
and during the service the gods were invited to descend upon the altars
by the ringing of bells; they were likewise sacred to Siva. Bells were
used at the worship of Bacchus, and were worn on the garments of the
Bacchantes, much in the same manner as they are used at our carnivals
and masquerades.
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Footnote 1:
The above description is from Payne Knight’s “Symbolical Language of
ancient Art and Mythology.”
HINDU PHALLICISM
The following curious fable is given by Sir William Jones, as one of the
stories of the Hindus for the origin of Phallic devotion:—“Certain
devotees in a remote time had acquired great renown and respect, but the
purity of the art was wanting, nor did their motives and secret thoughts
correspond with their professions and exterior conduct. They affected
poverty, but were attached to the things of this world, and the princes
and nobles were constantly sending their offerings. They seemed to
sequester themselves from this world; they lived retired from the towns;
but their dwellings were commodious, and their women numerous and
handsome. But nothing can be hid from their gods, and Sheevah resolved
to put them to shame. He desired Prakeety (nature) to accompany him; and
assumed the appearance of a Pandaram of a graceful form. Prakeety was
herself a damsel of matchless worth. She went before the devotees who
were assembled with their disciples, awaiting the rising of the sun, to
perform their ablutions and religious ceremonies. As she advanced the
refreshing breeze moved her flowing robe, showed the exquisite shape
which it seemed intended to conceal. With eyes cast down, though
sometimes opening with a timid but tender look, she approached them, and
with a low enchanting voice desired to be admitted to the sacrifice. The
devotees gazed on her with astonishment. The sun appeared, but the
purifications were forgotten; the things of the Poojah (worship) lay
neglected; nor was any worship thought of but that of her. Quitting the
gravity of their manners, they gathered round her as flies round the
lamp at night—attracted by its splendour, but consumed by its flame.
They asked from whence she came; whither she was going. ‘Be not offended
with us for approaching thee, forgive us our importunities. But thou art
incapable of anger, thou who art made to convey bliss; to thee, who
mayest kill by indifference, indignation and resentment are unknown. But
whoever thou mayest be, whatever motive or accident might have brought
thee amongst us, admit us into the number of thy slaves; let us at least
have the comfort to behold thee.’ Here the words faltered on the lip,
and the soul seemed ready to take its flight; the vow was forgotten, and
the policy of years destroyed.
Public-domain text, read in full here on John Shaqi.
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