Phallic Worship: A description of the mysteries of the sex worship of the ancients, with the history of the masculine cross. An account of primitive symbolism, Hebrew phallicism, bacchic festivals, sexual rites, and the mysteries of the ancient faiths.Jennings, Hargrave
Religion
Phallic Worship: A description of the mysteries of the sex worship of the ancients, with the history of the masculine cross. An account of primitive symbolism, Hebrew phallicism, bacchic festivals, sexual rites, and the mysteries of the ancient faiths.
Jennings, Hargrave
Phallicism
“Whilst the devotees were lost in their passions, and absent from their
homes, Sheevah entered their village with a musical instrument in his
hand, playing and singing like some of those who solicit charity. At the
sound of his voice, the women immediately quitted their occupation; they
ran to see from whom it came. He was as beautiful as Krishen on the
plains of Matra. Some dropped their jewels without turning to look for
them; others let fall their garments without perceiving that they
discovered those abodes of pleasure which jealousy as well as decency
had ordered to be concealed. All pressed forward with their offerings,
all wished to speak, all wished to be taken notice of, and bringing
flowers and scattering them before him, said—‘Askest thou alms! thou who
are made to govern hearts. Thou whose countenance is as fresh as the
morning, whose voice is the voice of pleasure, and they breath like that
of Vassant (Spring) in the opening of the rose! Stay with us and we will
serve thee; nor will we trouble thy repose, but only be zealous how to
please thee.’ The Pandaram continued to play, and sung the loves of Kama
(God of Love), of Krishen and the Gopia, and smiling the gentle smiles
of fond desire....
“But the desire of repose succeeds the waste of pleasure. Sleep closed
the eyes and lulled the senses. In the morning the Pandaram was gone.
When they awoke they looked round with astonishment, and again cast
their eyes on the ground. Some directed to those who had formerly been
remarked for their scrupulous manners, but their faces were covered with
their veils. After sitting awhile in silence they arose and went back to
their houses, with slow and troubled steps. The devotees returned about
the same time from their wanderings after Prakeety. The days that
followed were days of embarrassment and shame. If the women had failed
in their modesty, the devotees had broken their vows. They were vexed at
their weakness, they were sorry for what they had done; yet the tender
sigh sometimes broke forth, and the eyes often turned to where the men
first saw the maid—the women, the Pandaram.
“But the women began to perceive that what the devotees foretold came
not to pass. Their disciples, in consequence, neglected to attend them,
and the offerings from the princes and nobles became less frequent than
before. They then performed various penances; they sought for secret
places among the woods unfrequented by man; and having at last shut
their eyes from the things of this world, retired within themselves in
deep meditation, that Sheevah was the author of their misfortunes. Their
understanding being imperfect, instead of bowing the head with humility,
they were inflamed with anger; instead of contrition for their
hypocrisy, they sought for vengeance. They performed new sacrifices and
incantations, which were only allowed to have effect in the end, to show
the extreme folly of man in not submitting to the will of heaven.
Public-domain text, read in full here on John Shaqi.
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