what it was to the civilized world before the Christian era. We have
to imagine a state of culture in which it was only the Book of books
to one small nation, while to others it was at best a curious record
of ancient times, just as the Code of Hammurabi or the Egyptian Book
of Life is to us. The Alexandrian Jews were the first to popularize
its teachings, to bring Jewish religion into line with the thought of
the Greek world. It was to this end that they founded a particular
form of Midrash--the allegorical interpretation, which is largely a
distinctive product of the Alexandrian age. The Palestinian rabbis of
the time were on the one hand developing by dialectic discussion the
oral tradition into a vast system of religious ritual and legal
jurisprudence; on the other, weaving around the law, by way of
adornment to it, a variegated fabric of philosophy, fable, allegory,
and legend. Simultaneously the Alexandrian preachers--they were never
quite the same as the rabbis--were emphasizing for the outer world as
well as their own people the spiritual side of the religion,
elaborating a theology that should satisfy the reason, and seeking to
establish the harmony of Greek philosophy with Jewish monotheism and
the Mosaic legislation. Allegorical interpretation is "based upon the
supposition or fiction that the author who is interpreted intended
something 'other' [Greek: allo] than what is expressed"; it is the
method used to read thought into a text which its words do not
literally bear, by attaching to each phrase some deeper, usually some
philosophical meaning. It enables the interpreter to bring writings of
antiquity into touch with the culture of his or any age; "the gates of
allegory are never closed, and they open upon a path which stretches
without a break through the centuries." In the region of jurisprudence
there is an institution with a similar purpose, which is known as
"legal fiction," whereby old laws by subtle interpretation are made to
serve new conditions and new needs. Allegorical interpretation must be
carefully distinguished from the writing of allegory, of which
Bunyan's "Pilgrim's Progress" is the best-known type. One is the
converse of the other; for in allegories moral ideas are represented
as persons and moral lessons enforced by what purports to be a story
of life. In allegorical interpretation persons are transformed into
ideas and their history into a system of philosophy. The Greek
philosophers had applied this method to Homer since the fourth century
B.C.E., in order to read into the epic poet, whose work they regarded
almost as a Divine revelation, their reflective theories of the
universe. And doubtless the Jewish philosophers were influenced by
their example.
Public-domain text, read in full here on John Shaqi.
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