Good Heavens! How could she carry that feather fan? How could Ella
Linton hold it up to her face--hold her face down to it, flutter
its fairy fluff upon her cheeks? It was the price of blood. Herbert
Courtland had run a greater risk to obtain those feathers than David’s
mighty men had run to draw the water from the well. She had heard all
about the insatiable savagery of the natives of New Guinea. Paradise?
Who had named those birds the birds of paradise? She recollected how
the feathers which Ella had whirled about had held in the very center of
every wonderful disc of rich purple, edged with unequal radiating lines
of gold, a single spot of brilliant crimson, with a tiny star of silver
in the center. The effect of the sunlight glinting over this combination
on the thousand feathers that swept after the bird had caused Herbert
Courtland, the first white man who had seen this glory of glories, to
call it the meteor-bird. But those crimson drops: were they not the
blood of the men who had perished miserably while endeavoring to wrest
its marvels from the tropical forests of that great island?
Paradise?
And Ella could treat those feathers as though they had been plucked from
a tame pheasant? And now she was lying in her bed with the fan on the
pillow beside her!
How could she do it? That was what the girl asked herself while she lay
awake on her own bed. Would Ella not see, on the white pillow beside her
head, the crimson stains of the feathers that had been snatched out
of the dripping red hand of death, but the man who had not feared to
grapple with death itself in that hell which people called a paradise?
But the man, the man who had gripped death by the throat and had torn
the feathers from his grisly, fleshless fingers,--her imagination was
very vivid at night, especially after reading a thrilling chapter of
Hebrew massacre,--that man had talked with her upon such trifles
as books and plays, strange pageants enacted among paper and canvas
unrealities of life. She had actually been leaning against some of these
painted scenes while the man who had fought his way into the depths of
that forest which no white man but himself had yet penetrated,--the man
whose life had, day by day and night by night, been dependent upon the
accuracy of his rifle aim,--had talked with her.
That was really the sum of all her thoughts. She did not try to recall
the words that he had spoken; it was simply the figure of the man who
had been before her that now remained on her mind. She did not stop to
think whether or not he had spoken as a man with intellect would speak;
whether he had spoken as a man whose orthodoxy was beyond suspicion
would speak. The question of his orthodoxy, of his intellect (which may
be just the opposite), did not occur to her. All she felt was that she
had been talking face to face with a man.
Public-domain text, read in full here on John Shaqi.
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