Physical science in the time of Nero : $b being a translation of the Quaestiones naturales of SenecaSeneca, Lucius Annaeus
Philosophy
Physical science in the time of Nero : $b being a translation of the Quaestiones naturales of Seneca
Seneca, Lucius Annaeus
Comets; Earthquakes; Meteorology -- Early works to 1800
(_g_) A spurious work, as is now on all hands conceded, is the
correspondence between Seneca and St. Paul. In his opposition to
popular beliefs and superstitions, and in the purity of his moral
tenets, Seneca approached some of the Christian doctrines, and it
was no improbable supposition that at the Court of Nero he might
have became acquainted with the Apostle of the Gentiles.[8] But the
assumption of a correspondence of this kind is another affair. Its
genuineness was believed from the time of Jerome (400) till the
sixteenth century.
[8] See Mr. Henderson’s _Life and Principate of Nero_, 286–7, and Mr.
Glover’s _The Conflict of Religions in the Early Roman Empire_, 149.
Seneca is generally considered to appear at his best in the
_Consolation to his Mother Helvia_ and in the _Epistles to Lucilius_,
which are therefore usually ranked as amongst his finest works. The
latter work, which from the outset was designed for publication, is
not an ordinary correspondence on the current affairs and interests
of everyday life like Cicero’s Letters, but is philosophic in
character; it covers a wide range of moral discussion and reflection,
and is full of admirable maxims. Many of its sentiments have become
commonplaces; their almost hackneyed character detracts perhaps
somewhat from our appreciation of their intrinsic merit. On the other
hand, the spitefulness of the _Apocolocyntosis_, the servility of the
_Consolation to Polybius_, and the flattery of the _Clemency_, which
was addressed to Nero, show the reverse of Seneca’s character. Of the
characteristics of his style, however, and of his position in Roman
literature--one of commanding importance--this is not the place to
speak. His works reflect truly enough both the iron and the miry clay
which entered into his mental and moral composition.
III. “QUAESTIONES NATURALES”
This work stands in a category by itself. It raises a number of
difficult problems, in which every reader of it, whether classical
scholar or not, is interested.
Public-domain text, read in full here on John Shaqi.
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