Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
Vainly did the Count de Charney devote himself to sensual pleasures.
In the infancy of a social system so long estranged from the joys of
life, and still defiled by the blood-stained orgies of the Revolution,
attired in rags and tatters of Roman virtue, yet emulating the licentious
excesses of the regency, he signalized himself by his prodigality and
dissipation. Labour lost. Horses, equipages, a splendid table, balls,
concerts, and hunting-parties, failed to secure Pleasure as his guest. He
had friends to flatter him, mistresses to amuse his leisure; yet, though
all these were purchased at the highest price, the count found himself
as far as ever from the joys of love or friendship. Nothing availed to
smooth the wrinkles of his heart, or force it into a smile; Charney
actually _laboured_ to be entrapped by the baits of society, without
achieving captivation. The syren Pleasure, raising her fair form and
enchanting voice above the surface of the waters, fascinated _the man_,
but the eye of the philosopher could not refrain from plunging into the
glassy depths below, to be disgusted by the scaly body and bifurcal tail
of the ensnaring monster.
Truth and error were equally against him. To virtue he was a stranger,
to vice indifferent. He had experienced the vanity of knowledge; but the
bliss of ignorance was denied him. The gates of Eden were closed against
his re-entrance. Reason appeared fallacious, joy apocryphal. The noise of
entertainments wearied him; the silence of home was still more tedious;
in company, he became a burden to others; in retirement, to himself. A
profound sadness took possession of his soul!
In spite of all Charney’s efforts, the demon of philosophical analysis,
far from being exorcised, served to tarnish, undermine, contract, and
extinguish the brilliancy of every mode of life he selected. The praise
of his friends, the endearments of his loves, seemed nothing more than
the current coin given in exchange for a certain portion of his property,
the paltry evidence of a necessity for living at his expense.
Decomposing every passion and sentiment, and reducing all things to their
primitive element, he, at length, contracted a morbid frame of mind,
amounting almost to aberration of intellect. He fancied that in the
finest tissue composing his garments, he could detect the exhalations
of the animal of whose fleece it was woven—on the silk of his gorgeous
hangings, the crawling worm which furnishes them. His furniture, carpets,
gewgaws, trinkets of coral or mother-of-pearl, all were stigmatized
in his eyes as the spoil of the dead, shaped by the labours of some
squalid artisan. The spirit of inquiry had destroyed every illusion. The
imagination of the sceptic was paralyzed!
To such a heart as that of Charney, however, emotion was indispensable.
The love which found no single object on which to concentrate its vigour
expanded into tenderness for all mankind; and he became a philanthropist!
Public-domain text, read in full here on John Shaqi.
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