Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
With the view of serving the cause of his fellow-creatures, he devoted
himself to politics, no longer speculative, but active; initiated
himself into secret societies, and grew a fanatic for freedom, the
only superstition remaining for those who have renounced the higher
aspirations of human nature. He enrolled himself in a plot—a conspiracy
against nothing less than the sovereignty of the victorious Napoleon!
In this attempt, Charney fancied himself actuated by patriotism, by
philanthropy, by love of his countrymen! More likely by animosity against
the one great man, of whose power and glory he was envious! An aristocrat
at heart, he fancied himself a leveller. The proud noble who had been
robbed of the title of count, bequeathed him by his ancestors, did not
choose that his inferior in birth should assume the title of emperor,
which he had conquered at the point of his sword.
It matters little in what plot he embarked his destinies; at that epoch,
there was no lack of conspiracies! It was one of the many hatched between
1803 and 1804, and not suffered to come to light: the police—that second
providence which presides over the safety of empires—was beforehand with
it! Government decided that the less noise made on the occasion, the
better; they would not even spare it so much as a discharge of muskets
on the Plaine de Grenelle, the scene of military execution: but the
heads of the conspiracy were privately arrested, condemned, almost
without trial, and conveyed away to solitary confinement in various
state prisons, citadels, or fortresses, of the ninety-six departments of
consular France.
[Illustration]
[Illustration]
CHAPTER II.
In traversing the Alps on my way to Italy—an humble tourist, with my
staff in my hand, and my wallet on my shoulder, I remember pausing to
contemplate, near the pass of Rodoretto, a torrent swollen by the melting
of the glaciers. The tumultuous sounds produced by its course, the
foaming cascades into which it burst, the varying colors and hues created
by the movement of its waters, yellow, white, green, black, according to
its channel through marl, slate, chalk, or peat earth—the vast blocks of
marble or granite it had detached without being able to remove, around
which a thousand ever-changing cataracts added roar to roar, cascade to
cascade; the trunks of trees it had uprooted, of which the still foliaged
branches emerging from the water were agitated by the winds, while the
roots were buffeted by the waves; fragments of the very banks clothed
with verdure, and driven like floating islands against the trees, as
the trees were driven in their turn against the blocks of granite—all
this, these murmurs, clashings, and roarings, confined between narrow
and precipitous banks, impressed me with wonder and admiration. And this
torrent was the Clusone!
Public-domain text, read in full here on John Shaqi.
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