Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The second step gained by the Egyptians was when the picture became
used as a symbol of some quality or characteristic. It can be readily
seen how a hawk with bright eye and lofty flight might be selected as
a symbol of divinity and royalty, and that the crocodile should denote
darkness, while a slightly further step in metaphysical symbolism made
the ostrich feather, from the equality of its filaments, typical of
truth. It is evident from examples given in the present paper that
the North American tribes at the time of the Columbian discovery had
entered upon this second step of picture-writing, though with marked
inequality between tribes and regions in advance therein. None of them
appear to have reached such proficiency in the expression of connected
ideas by picture as is shown in the sign-language existing among some
of them, in which even conjunctions and prepositions are indicated.
Still many truly ideographic pictures are known.
A consideration relative to the antiquity of mystic symbolism, and its
position in the several culture-periods, arises in this connection.
It appears to have been an outgrowth of human thought, perhaps in the
nature of an excrescence, useful for a time, but abandoned after a
certain stage of advancement.
A criticism has been made on the whole subject of pictography by Dr.
Richard Andree, who, in his work, Ethnographische Parallelen und
Vergleiche, Stuttgart, 1878, has described and figured a large number
of examples of petroglyphs, a name given by him to rock-drawings
and adopted by the present writer. His view appears to be that these
figures are frequently the idle marks which, among civilized people,
boys or ignorant persons cut with their pen-knives on the desks and
walls of school-rooms, or scrawl on the walls of lanes and retired
places. From this criticism, however, Dr. Andree carefully excludes the
pictographs of the North American Indians, his conclusion being that
those found in other parts of the world generally occupy a transition
stage lower than that conceded for the Indians. It is possible that
significance may yet be ascertained in many of the characters found in
other regions, and perhaps this may be aided by the study of those in
North America; but no doubt should exist that the latter have purpose
and meaning. Any attempt at the relegation of such pictographs as are
described in the present paper, and have been the subject of the study
of the present writer, to any trivial origin can be met by a thorough
knowledge of the labor and pains which were necessary in the production
of some of the petroglyphs described.
Public-domain text, read in full here on John Shaqi.
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