Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
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Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The invention of alphabetic writing being by general admission the
great step marking the change from barbarism into civilization, the
history of its earlier development must be valuable. It is inferred
from internal evidence that picture-writing preceded and originated
the graphic systems of Egypt, Nineveh, and China, but in North America
its use is still modern and current. It can be studied there, without
any requirement of inference or hypothesis, in actual existence as
applied to records and communications. Furthermore, its transition
into signs of sound is apparent in the Aztec and the Maya characters,
in which stage it was only arrested by foreign conquest. The earliest
lessons of the birth and growth of culture in this most important
branch of investigation can therefore be best learned from the Western
Hemisphere. In this connection it may be noticed that picture-writing
is found in sustained vigor on the same continent where sign-language
has prevailed or continued in active operation to an extent unknown in
other parts of the world. These modes of expression, _i. e._, transient
and permanent idea-writing, are so correlated in their origin and
development that neither can be studied with advantage to the exclusion
of the other.
The limits assigned to this paper allow only of its comprehending the
Indians north of Mexico, except as the pictographs of other peoples
are introduced for comparison. Among these no discovery has yet
been made of any of the several devices, such as the rebus, or the
initial, adopted elsewhere, by which the element of sound apart from
significance has been introduced.
The first stage of picture-writing as recognized among the Egyptians
was the representation of a material object in such style or connection
as determined it not to be a mere portraiture of that object, but
figurative of some other object or person. This stage is abundantly
exhibited among the Indians. Indeed, their personal and tribal names
thus objectively represented constitute the largest part of their
picture-writing so far thoroughly understood.
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