The bearing of this upon our theme is illustrated by the plan of a school principal, recently described to me, to eradicate the plague of stealing that had broken out in the school. He talked to the pupils of giants, drew out the children's ideas, and by effective picture-work made the creatures out to be an ugly, uncanny crew. He then was ready to declare to the children that he had discovered a giant in the school, and in due time told them his name--Selfishness, I think it was--and then described his evil works. The moral of this story is that the plan worked, and stealing disappeared from the school from that day. Who of us teachers might not be emulous of becoming thus skilful in mellowing the soil and making it warm in the genial sunshine of true picture-work? 2. Gathering the crop: Taste. qIf deliberation is a virtue at the start, brevity and patience are a necessity at the finish. When the teacher has planted an interest-awakening picture in the minds of the children, his main work is done. He may safely leave them to make the application. He has supplied the cause; the effect will take care of itself. It is often convenient and suggestive to remember that children are not fools. "A child knows a thing or two," 'tis said, "before he knows much of anything." And one of the very first things he knows is how to put his finger on the moral in a story; and he can feel it long before he knows it. But that is when he is left to himself. If you take the helm, ten to one he'll know without feeling, which is the curse of us all. Better, if we must choose, that he feel without knowing in terms, than indulge in mere intellectual casuistry. In your childish haste to have a crop or to see what was going on under ground, did you ever unearth the newly-planted row of peas? And was that row ever so green and straight and thick-standing as those that had been let alone? But the plants of love to God and moral taste are tenderer than these. They must be shined upon, warmed, and watered many days before they are ready to give an account of themselves. Love is a silent thing before it is outspoken. True feeling has few words, is not self-conscious, likes not to be asked questions. In its own good time it wells up and finds vent in deeds, and even in words. The deepest thing a teacher does is to form taste. But all taste grows slowly, by unconscious accretion. The Chinese money-changer sets his apprentice at work handling good money only. For ten Years he touches nothing else. He can then detect a counterfeit coin. How? Perhaps he cannot tell how. His way is surer, deeper. He feels it. He has taste. So with the building of the taste for good books, for pictures, for nature. It is a slow process--many a book to be absorbed, picture seen and loved, and mountain and flower and sunset gazed upon, before taste is formed.