Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
OCEANICA.
The term “Oceanica” is used here without geographic precision, to
include several islands not mentioned in other sections of the present
work, in different parts of the globe, where specially interesting
petroglyphs have been found and made known in publications. Although
more such localities are known than are now mentioned, the pictographs
from them are not of sufficient importance to justify description or
illustration, but it may be remarked that they show the universality of
the pictographic practice.
NEW ZEALAND.
Dr. Julius von Haast (_a_) published notes, condensed as follows,
descriptive of the illustration produced here as Fig. 133:
The most remarkable petroglyphs found in New Zealand are
situated about 1 mile on the western side of the Weka Pass road
in a rock shelter, which is washed out of a vertical wall of rock
lining a small valley for about 300 feet on its right or southern
side. The whole length of the rock below the shelter has been used
for painting, and it is evident that some order has been followed in
the arrangement of the subjects and figures. The paint consists of
kokowai (red oxide of iron), of which the present aborigines of New
Zealand make still extensive use, and of some fatty substance, such
as fish oil, or perhaps some oily bird fat. It has been well fixed
upon the somewhat porous rock and no amount of rubbing will get it
off.
Some of the principal objects evidently belong to the animal
kingdom, and represent animals which either do not occur in New
Zealand or are only of a mythical or fabulous character. The
paintings occur over a face of about 65 feet, and the upper end of
some reaches 8 feet above the floor, the average height, however,
being 4 to 5 feet. They are all of considerable size, most of them
measuring several feet, and one of them even having a length of 15
feet.
Beginning at the eastern end in the left-hand corner is the
representation _a_ of what might be taken for a sperm whale with its
mouth wide open diving downward. This figure is 3 feet long. Five
feet from it is another figure _c_, which might also represent a
whale or some fabulous two-headed marine monster. This painting is 3
feet 4 inches long. Below it, a little to the right in _d_, we have
the representation of a large snake possessing a swollen head and a
long protruding tongue. This figure is nearly 3 feet long, and shows
numerous windings.
It is difficult to conceive how the natives in a country without
snakes could not only have traditions about them but actually
be able to picture them, unless they had received amongst them
immigrants from tropical countries who had landed on the coasts of
New Zealand.
Between the two fishes or whales is _b_, which might represent a
fishhook, and below the snake _d_ a sword _e_ with a curved blade.
Public-domain text, read in full here on John Shaqi.
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