Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
The characters were all drawn upon birch bark, as is usual with
the “medicine songs” of the Ojibwa, and the words suggested by the
incisions were chanted. The incompleteness of some of the phrases was
accounted for by the shaman by the fact that they are gradually being
forgotten. The ceremonies are now of infrequent occurrence, which tends
to substantiate this assertion.
One song, as presented on a single piece of birch bark, really consists
of as many songs as there are mnemonic characters. Each phrase,
corresponding to a character, is repeated a number of times; the greater
the number of repetitions the greater will be the power of inspiration
in the singer. One song or phrase may, therefore, extend over a period
of from two to ten or more minutes.
The song covers much more time when dancing accompanies it, as is the
case with the first one presented below. The dancing generally commences
after a pause, designated by a single vertical bar.
The following characters are taken from A, Pl. XVII, and are here
reproduced separately to facilitate explanation:
[Illustration]
The earth, spirit that I am, I take medicine out of the earth.
The upper figure represents the arm reaching down toward the
earth, searching for hidden remedies.
[Illustration]
(Because of) a spirit that I am, my son.
The headless human figure emerging from the circle is a
mysterious being, representing the power possessed by the speaker.
He addresses a younger and less experienced Midē' or shaman.
[Illustration]
Bar or rest.
The vertical line denotes a slight pause in the song, after
which the chant is renewed, accompanied by dancing.
[Illustration]
They have pity on me, that is why they call us to the Grand Medicine.
The inner circle represents the speaker’s heart; the outer
circle, the gathering place for shamans, while the short lines
indicate the directions from which the shamans come together.
[Illustration]
I want to see you, medicine man.
The figure of a head is represented with lines running downward
(and forward) from the eyes, donating sight. The speaker is looking
for the shaman, spoken to, to make his appearance within the sacred
structure where the Midē' ceremonies are to take place.
[Illustration]
My body is a spirit.
The character is intended to represent the body of a bear, with
a line across the body, signifying one of the most powerful of the
sacred Man'idōs or spirits, of the Midē' wiwin or “Grand Medicine
Society.”
[Illustration]
You would [know] it, it being a spirit.
The figure of a head is shown with lines extending both upward
and downward from the ears, denoting a knowledge of things in realm
of the Man'idōs above, and of the secrets of the earth beneath.
[Illustration]
As I am dressed, I am.
Public-domain text, read in full here on John Shaqi.
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