Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
The men, in red caps, and with loose coats hanging on their shoulders
(they never put them on), were playing bowls, and buying sweetmeats,
immediately outside the church. When half-a-dozen of them finished a
game, they came into the aisle, crossed themselves with the holy water,
knelt on one knee for an instant, and walked off again to play another
game at bowls. They are remarkably expert at this diversion, and will
play in the stony lanes and streets, and on the most uneven and
disastrous ground for such a purpose, with as much nicety as on a
billiard-table. But the most favourite game is the national one of Mora,
which they pursue with surprising ardour, and at which they will stake
everything they possess. It is a destructive kind of gambling, requiring
no accessories but the ten fingers, which are always—I intend no pun—at
hand. Two men play together. One calls a number—say the extreme one,
ten. He marks what portion of it he pleases by throwing out three, or
four, or five fingers; and his adversary has, in the same instant, at
hazard, and without seeing his hand, to throw out as many fingers, as
will make the exact balance. Their eyes and hands become so used to
this, and act with such astonishing rapidity, that an uninitiated
bystander would find it very difficult, if not impossible, to follow the
progress of the game. The initiated, however, of whom there is always an
eager group looking on, devour it with the most intense avidity; and as
they are always ready to champion one side or the other in case of a
dispute, and are frequently divided in their partisanship, it is often a
very noisy proceeding. It is never the quietest game in the world; for
the numbers are always called in a loud sharp voice, and follow as close
upon each other as they can be counted. On a holiday evening, standing
at a window, or walking in a garden, or passing through the streets, or
sauntering in any quiet place about the town, you will hear this game in
progress in a score of wine-shops at once; and looking over any vineyard
walk, or turning almost any corner, will come upon a knot of players in
full cry. It is observable that most men have a propensity to throw out
some particular number oftener than another; and the vigilance with which
two sharp-eyed players will mutually endeavour to detect this weakness,
and adapt their game to it, is very curious and entertaining. The effect
is greatly heightened by the universal suddenness and vehemence of
gesture; two men playing for half a farthing with an intensity as
all-absorbing as if the stake were life.
Hard by here is a large Palazzo, formerly belonging to some member of the
Brignole family, but just now hired by a school of Jesuits for their
summer quarters. I walked into its dismantled precincts the other
evening about sunset, and couldn’t help pacing up and down for a little
time, drowsily taking in the aspect of the place: which is repeated
hereabouts in all directions.
Public-domain text, read in full here on John Shaqi.
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