Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
I loitered to and fro, under a colonnade, forming two sides of a weedy,
grass-grown court-yard, whereof the house formed a third side, and a low
terrace-walk, overlooking the garden and the neighbouring hills, the
fourth. I don’t believe there was an uncracked stone in the whole
pavement. In the centre was a melancholy statue, so piebald in its
decay, that it looked exactly as if it had been covered with
sticking-plaster, and afterwards powdered. The stables, coach-houses,
offices, were all empty, all ruinous, all utterly deserted.
Doors had lost their hinges, and were holding on by their latches;
windows were broken, painted plaster had peeled off, and was lying about
in clods; fowls and cats had so taken possession of the out-buildings,
that I couldn’t help thinking of the fairy tales, and eyeing them with
suspicion, as transformed retainers, waiting to be changed back again.
One old Tom in particular: a scraggy brute, with a hungry green eye (a
poor relation, in reality, I am inclined to think): came prowling round
and round me, as if he half believed, for the moment, that I might be the
hero come to marry the lady, and set all to-rights; but discovering his
mistake, he suddenly gave a grim snarl, and walked away with such a
tremendous tail, that he couldn’t get into the little hole where he
lived, but was obliged to wait outside, until his indignation and his
tail had gone down together.
In a sort of summer-house, or whatever it may be, in this colonnade, some
Englishmen had been living, like grubs in a nut; but the Jesuits had
given them notice to go, and they had gone, and _that_ was shut up too.
The house: a wandering, echoing, thundering barrack of a place, with the
lower windows barred up, as usual, was wide open at the door: and I have
no doubt I might have gone in, and gone to bed, and gone dead, and nobody
a bit the wiser. Only one suite of rooms on an upper floor was tenanted;
and from one of these, the voice of a young-lady vocalist, practising
bravura lustily, came flaunting out upon the silent evening.
I went down into the garden, intended to be prim and quaint, with
avenues, and terraces, and orange-trees, and statues, and water in stone
basins; and everything was green, gaunt, weedy, straggling, under grown
or over grown, mildewy, damp, redolent of all sorts of slabby, clammy,
creeping, and uncomfortable life. There was nothing bright in the whole
scene but a firefly—one solitary firefly—showing against the dark bushes
like the last little speck of the departed Glory of the house; and even
it went flitting up and down at sudden angles, and leaving a place with a
jerk, and describing an irregular circle, and returning to the same place
with a twitch that startled one: as if it were looking for the rest of
the Glory, and wondering (Heaven knows it might!) what had become of it.
* * * * *
Public-domain text, read in full here on John Shaqi.
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