Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
In the streets of shops, the houses are much smaller, but of great size
notwithstanding, and extremely high. They are very dirty: quite
undrained, if my nose be at all reliable: and emit a peculiar fragrance,
like the smell of very bad cheese, kept in very hot blankets.
Notwithstanding the height of the houses, there would seem to have been a
lack of room in the City, for new houses are thrust in everywhere.
Wherever it has been possible to cram a tumble-down tenement into a crack
or corner, in it has gone. If there be a nook or angle in the wall of a
church, or a crevice in any other dead wall, of any sort, there you are
sure to find some kind of habitation: looking as if it had grown there,
like a fungus. Against the Government House, against the old Senate
House, round about any large building, little shops stick so close, like
parasite vermin to the great carcase. And for all this, look where you
may: up steps, down steps, anywhere, everywhere: there are irregular
houses, receding, starting forward, tumbling down, leaning against their
neighbours, crippling themselves or their friends by some means or other,
until one, more irregular than the rest, chokes up the way, and you can’t
see any further.
One of the rottenest-looking parts of the town, I think, is down by the
landing-wharf: though it may be, that its being associated with a great
deal of rottenness on the evening of our arrival, has stamped it deeper
in my mind. Here, again, the houses are very high, and are of an
infinite variety of deformed shapes, and have (as most of the houses
have) something hanging out of a great many windows, and wafting its
frowsy fragrance on the breeze. Sometimes, it is a curtain; sometimes,
it is a carpet; sometimes, it is a bed; sometimes, a whole line-full of
clothes; but there is almost always something. Before the basement of
these houses, is an arcade over the pavement: very massive, dark, and
low, like an old crypt. The stone, or plaster, of which it is made, has
turned quite black; and against every one of these black piles, all sorts
of filth and garbage seem to accumulate spontaneously. Beneath some of
the arches, the sellers of macaroni and polenta establish their stalls,
which are by no means inviting. The offal of a fish-market, near at
hand—that is to say, of a back lane, where people sit upon the ground and
on various old bulk-heads and sheds, and sell fish when they have any to
dispose of—and of a vegetable market, constructed on the same
principle—are contributed to the decoration of this quarter; and as all
the mercantile business is transacted here, and it is crowded all day, it
has a very decided flavour about it. The Porto Franco, or Free Port
(where goods brought in from foreign countries pay no duty until they are
sold and taken out, as in a bonded warehouse in England), is down here
also; and two portentous officials, in cocked hats, stand at the gate to
search you if they choose, and to keep out Monks and Ladies.
Public-domain text, read in full here on John Shaqi.
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