Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
A local artist, one Pietro di Maestro Galeotto, was selected for the
work, and on the 7th of June 1479 a contract was made with him for it,
the price to be 200 florins, and the picture to be completed in two
years under a fine for non-compliance of 50 golden ducats. Galeotto
from time to time drew payments on account from the Priori, and three
years passed away and yet there were no signs of the altar-piece and no
mention of the fine. On June 29th, 1482, another year's grace was
granted to Galeotto on the plea that there had been some contagious
disease in Perugia and he had struck work and absented himself; but in
May 1483 Galeotto died, whether from this plague or not is not recorded,
but when inquiry was made of his heirs as to the picture nothing could
be found of it but the frame. Shortly after this time Perugino visited
Perugia, and to him the Magistrates turned for help; and, bringing much
pressure to bear upon him, prevailed upon the artist to sign a contract
dated 28th November 1483 binding himself to produce the picture in four
months for 100 florins. The details of the picture are all given in the
contract, and the names of the four Saints, who were to surround the
Madonna and Child, and, above all, the portraits of the Priori were not
to be omitted. But by this time Perugino had received the commands of
Pope Sixtus IV. to come to Rome, and so a few days after signing the
contract Perugino left Perugia without giving any further consideration
to the wishes of the worthy Priori or the text of the contract. Even the
first section of the work, containing the portraits which he had
faithfully promised should be ready in December 1483, was quite
forgotten.
The term of office, however, for which the Priori were elected was
rapidly nearing its close, and there were still no signs of the
portraits of these eminent men. In despair the Priori turned to a third
artist, Santi di Polonio del Celandro, and in a contract dated 31st
December 1483 they bound him to supply the picture and complete it
within a year, but inserted a clause that all the portraits together
with that of their notary were to be painted within a fortnight.
Public-domain text, read in full here on John Shaqi.
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