Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
Hardly had this been done than the permission was countermanded. The
mayor was regretting that he had asked for so little, and that the
pictures in the sacristies and corridors of the monasteries would not be
grouped with those taken from the churches. He was explaining that all
the pictures were equally dear to the Perugians, when again an order
arrived to send on all the pictures. Once more the mayor dissembled. He
promised to send the cases as soon as he could obtain carriages, but at
the same time wrote, to the Count Daru, to the Director of the Police in
Rome, and to the Count Baglioni Oddi, one of the deputies in Paris,
invoking the interests of religion and of art of the province and of the
capital to save his beloved pictures. Again he won a temporary success.
On August 26th an order arrived from headquarters, permitting Perugia to
retain twenty out of the forty-eight pictures chosen by Tofanelli. Once
more there was rejoicing, but again came disaster. Count Daru
intervened, every concession was overturned, and a fresh order from even
higher authorities reached the mayor, ordering him to send on without
delay to the Capitol at Rome, every picture selected by Tofanelli. These
instructions the mayor stated he could not understand. He wrote on
November 16, stating that, of course, this last order did not include
the pictures just given back to Perugia, and appealing to Baron
Roederer for consideration, adding as a reason that he could not be
responsible for the people should the pictures that they cherished be
taken away.
[Illustration:
_Alinari photo_] [_Vatican, Rome_
SAINT BENEDICT]
To this appeal Roederer turned a deaf ear. He wrote on December 4, again
on December 8, and again on December 13, stating that it was impossible
to admit any reasons, and he must demand that all the pictures be sent
at once. The mayor, indefatigable as ever, wrote again and again, raised
all kinds of difficulties, continued to warn the authorities that the
people would make a tumult, and that he could not be responsible for
their tranquillity, and finally sent letters from the clergy of San
Severo and San Costanzo supporting his statements.
All was of no avail. On November 6th, 1813, final definite orders
arrived, and the precious cases had to be sent to Rome.
A few more days' delay would have saved the pictures, as at the moment
that the cases reached Rome the Neapolitans under Murat entered the
city, and French dominion in Rome was at an end. Even then the irony of
circumstance continued, for, when, on January 6th, 1814, the pictures
arrived in Paris, the allied forces arrived also, and Baron Denon was
ordered to restore to their lawful proprietors the pictures that had
been stolen.
Public-domain text, read in full here on John Shaqi.
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