Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
Napoleon himself had a great admiration for the works of Perugino, and
the pictures he owned by the master made him desirous of possessing
more; and as with the conqueror to desire was to obtain, he immediately
issued this decree regardless of the feelings of his newly conquered
subjects. The Count de Champagny, who was the minister charged with the
execution of the decree, passed on to Count Daru, his subordinate in the
"French" city of Rome, a list of pictures that had been prepared by
Baron Denon, the director of the gallery, who had passed his youth in
Italy, and being a great connoisseur, had an excellent memory of what
fine Italian pictures were left in the plundered city.
Count Daru was to pass on the list to Baron Roederer, Prefect of the
Trasimène, who on his part was to see that the Sub-Prefect Spada gave
every assistance to one, Tofanelli, who was to select and transmit the
pictures.
Tofanelli arrived in Perugia September 30th, 1812, and one day sufficed
for him to make his selection. Forty-eight pictures were selected, and
packed in cases ready for transmission, an agreement entered into
between him and the town, signed by himself and countersigned by the
mayor, and a contract sealed between him and Signor Franceschini for
removing the pictures to Rome, and then Tofanelli hurried off back to
Rome. The pictures were to be sent immediately, but upon Tofanelli's
departure, a long series of delays and negotiations commenced, suggested
and arranged by the mayor in order to save the pictures. This worthy
man, Cesarei, deserves better recognition to-day in Perugia. He worked
valiantly for the city, and now his name is nearly forgotten. While
Tofanelli was in Perugia, he dissembled his feelings, aided the
commissioner, signed any papers that were presented to him, had the
pictures packed, and gaily saluted Tofanelli as he left the city; but
once the commissioner had gone, he determined to do his very utmost to
prevent the forty-eight pictures gathered from the shrines of his city
leaving its gates. He appealed to the bishop and to the government, he
worried the prefect and the sub-prefect, and eventually obtained a
promise that those pictures which were specially dear as objects before
which the Perugians paid their devotions might be retained. Forthwith
the cases were opened, and these pictures replaced in their original
positions, to the great joy of the people.
Public-domain text, read in full here on John Shaqi.
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