Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
To prepare artificial cobalt arseniate, grey cobalt ore (sulph-arsenide
of cobalt), reduced to a powder, is mixed with a little sand and twice
its weight of potash, and fused in a crucible. The slag of mixed
sulphides which is formed is removed, and the remaining white arseniate
of cobalt is pulverised and subjected to another fusion with potash.
The slag is again removed, and the button of pure arsenide of cobalt
remaining is finely powdered and again roasted to effect conversion
into arseniate of cobalt. Lastly, it is ground very fine.
COLCOTHAR.--A fancy name for a kind of iron oxide pigment,
described under oxide reds (see p. 150).
DERBY RED.--As a basic chromate of lead, often known as chrome
red, Derby red is closely allied to chrome yellow, the preparation of
which is described in a subsequent chapter.
It has been asserted that all the chrome reds, from the darkest
cinnabar red to a lustreless minium red, are distinguishable simply
by the size of the crystals composing the powder, as may be easily
determined under the microscope, and that if various chrome reds of
the same hue, but with different intensities of colour, are reduced by
grinding to the same degree of comminution, the several powders will
possess exactly the same degrees of intensity of coloration, though
they lose in brightness. Therefore the conditions which give brilliancy
and intensity of colour are those which favour crystallisation.
On this supposition it is recommended by Riffault to adopt a plan which
dispenses with agitation, and he supports the following method:--
(1) Chrome yellow is precipitated in the usual manner, as described in
a later chapter, without sulphuric acid, and is carefully washed. After
draining, the mass is well stirred, and six or eight equal samples are
drawn from it and put into glass vessels of equal size and thickness
of structure. To each sample is added a different volume of caustic
soda or potash lye, marking about 20° B. For instance, to 5 volumes of
paste are added 2, 2½, 3, 3½, 4, 5, &c., volumes of lye. The different
mixtures are rapidly and thoroughly agitated, but the chemical reaction
is allowed to take place without any disturbance. After examination of
the quality of the products, the relative proportions of pulp and lye
are noted down for the best hues obtained. Too much lye will fail to
deepen the red colour; in fact, Derby red is entirely soluble in an
excess of lye, and forms needle-like crystals holding potash when the
caustic solution has absorbed carbonic acid from the air.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account