Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
[Illustration: Fig. 13.--FURNACE FOR MAKING SMALTS.]
by means of long iron ladles which are introduced through the small
square apertures _c_, which can be temporarily closed by a half-brick
or other simple article. The fire is then lit in the fireplace _d_,
and the products of combustion circulate around the pots _b_, and
finally escape at the orifices _e_ at the top of the furnace into
flues leading to the chimney _f_. After about 8 hours’ firing fusion
commences in the pots, whereupon the contents are thoroughly stirred by
rods inserted through the working holes _c_. The temperature is then
increased till a white heat is attained, this being necessary for the
formation of a glass. The fused mass is repeatedly sampled, and when
it has become quite homogeneous, and the regulus or speiss containing
the iron, antimony, bismuth, arsenic, copper, nickel, sulphur and other
impurities has completely separated itself and collected at the bottom
of the pots, the blue glass is ladled out and dropped at once into cold
water, by which it is disintegrated and rendered very brittle ready for
the subsequent grinding. The regulus is then drawn off from the pots
through holes provided for the purpose, and removed by the orifices
_g_, after which the pots are ready for another charge. They ordinarily
remain serviceable for about six months.
The grinding needs to be done with great thoroughness, and is
accomplished partly by stamps and partly by edge-runner mills in the
presence of water. The particles as reduced are floated off by the
water to a series of settling tanks communicating one with another.
The portion which settles in the first of the series is too coarse for
use, and is returned to the edge-runner for further grinding; while the
portion in the last of the series possesses such a weak colour that it
is rejected, or put into the crucible to undergo a second fusion. The
selected portions are dried ready for the consumer.
=Copper Blues.=--These form an unimportant class, being unstable
and not endowed with great colouring power. Their tint is pale and
greenish, and though opaque in water, they are not particularly so when
mixed with oil. Exposed to the action of sulphur or its compounds,
whether present as sulphuretted hydrogen in the air, or in combination
with a metal, forming another pigment with which they may be mixed,
copper blues undergo an important chemical change, the carbonates and
oxides of copper being converted into the sulphide, which is black.
Under the influence of heat too the blue carbonate will lose its
carbonic acid, and be turned into the black oxide. Ammonia and the
acids dissolve them, but other alkalies are resisted until heat is
applied. The chief kinds of copper blue are Bremen blue, cæruleum, lime
blue, mountain blue, Péligot’s blue, and blue verditer.
Public-domain text, read in full here on John Shaqi.
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