Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
Several preparations of indigo are in use:--(1) Sulphopurpuric acid,
phenicine, or indigo-purple, is made by mixing 1 part of indigo with 4
parts of sulphuric acid (sp. gr. 1·845), and heating for ½-1 hour; the
acid mass is thrown into 40-50 parts of water, when the purple falls
down; it is collected on a filter, and washed with dilute hydrochloric
acid. (2) Sulphindigotic acid is prepared by mixing indigotine, 1
part, with sulphuric acid (sp. gr. 1·845) 6 parts; the operation must
be performed in a leaden vessel, cooled outside, and the indigo must
be added by degrees, to avoid heating; the mixture is then left for 8
days, when the conversion will be complete. Fuming or anhydrous acid
may be used, in less proportion, but the reaction is more difficult
to manage. Weaker acid will require a longer period, say a month for
“brown acid” (145° Tw.). (3) Sulphindigotic acids are transformed into
neutral paste, or “carmine,” by neutralising with carbonate of soda,
and washing the paste, on a woollen filter, with a solution of chloride
of sodium (common salt).
=Manganese Blue.=--(1) Kuhlmann found a blue mass of manganate of lime
in furnaces used for making calcium chloride by calcining a mixture
of chalk and residues from chlorine making. The formation of this
beautiful coloured manganate he attributes to the decomposition of the
calcium chloride by steam, and to a certain solubility of the lime
in undecomposed calcium chloride. Unsuccessful attempts to reproduce
this result were apparently due to the lime not being under such
favourable conditions for acting upon the manganese oxide as when it
is in solution in the calcium chloride. As accidentally produced in
reverberatory furnaces, the manganate of lime is of an ultramarine
tint, and is insoluble in water though not permanent under its
influence; it is acted upon by the weakest acids.
(2) Bong has proposed several formulæ for making manganese blues,
the ingredients in each case being heated to redness in an oxidising
atmosphere, taking special care to avoid iron. The following are his
recipes:--(_a_) 6 parts soda ash, 5 of calcium carbonate, 3 of silica,
and 3 of manganese oxide; (_b_) 8 of barium nitrate, 2 of kaolin, and
3 of manganese oxide; (_c_) 8 of barium nitrate, 3 of silica, and 3
of manganese oxide. The tint can be varied from violet to green by
altering the proportions.
Public-domain text, read in full here on John Shaqi.
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