Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
Ultramarine was also made the subject of a very interesting paper, by
Herbert J. L. Rawlins, read before the Society of Chemical Industry, in
December 1887.
After referring to the native form, lapis lazuli, Rawlins goes on
to observe that “analysis could give no clue as to the cause of
the blue colour. To prepare it artificially became a great object,
and the efforts in this direction were stimulated by the offer of
prizes, amongst which was one of 6000 francs, offered by the ‘Société
d’Encouragement’ of France, to be awarded to the discoverer of a method
of making ultramarine, provided it did not cost more than 90_s._ per
lb. How strange it seems to think of this in these days when the value
has fallen to less than half that price per cwt.!
“As early as 1814, two German chemists, Tessärt and Kuhlmann, had
observed the formation of a blue product in soda kilns and calcination
kilns, but Guimet, in 1828, first discovered how it was produced, and
gained the 6000 francs prize. He did not, however, publish his method,
and grew immensely rich, although the price sank to about 16_s._ per
lb. In 1828 he was producing at the rate of 120,000 lb. annually.
“About the same time, or, as is positively asserted by some, even prior
to Guimet, Gmelin made the same discovery and published his researches
in full, thus perhaps laying the foundation stone of the present
supremacy of Germany in this manufacture.
“In spite of the valuable discoveries of Hoffmann, Unger, and others,
our knowledge of the chemical constitution of ultramarine is very
limited and uncertain, many different theories having been advanced
regarding the cause of the blue colour.
“According to Wilkins, ultramarine is composed of two portions, one
of which consists of two silicates of alumina with sulphite and
sulphide of sodium, and is constant in its composition; the other
being a mixture of variable quantities of sand, clay and oxide of
iron, with sulphuric acid. The blue colouring principle he considers
to be a compound of sodium sulphite and sulphide. Another ingenious
theorist, Stein, in two papers published in the _Jahresberichte_ in
1871 and 1872, concludes that blue ultramarine contains sulphurous,
and not thiosulphuric acid, that neither sulphites nor thiosulphates
are necessary to its composition, and that it owes its colour to
the presence of black sulphide of sodium, which is formed at high
temperatures by the action of sulphide of sodium on alumina--admitting,
therefore, that it is not a chemical compound, but merely a mechanical
mixture, the blue colour of which is due to the bodies composing it.
“Brunner considers ultramarine to be a compound of aluminium silicate,
with sodium sulphate and sulphide; while Brünlin regards it as a double
silicate of aluminium and sodium, in combination with pentasulphide of
sodium. Green ultramarine he considers to be the same double silicate
in combination with bisulphide of sodium.
Public-domain text, read in full here on John Shaqi.
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