Piping hot! (Pot-bouille) : $b a realistic novelZola, Émile
History
Piping hot! (Pot-bouille) : $b a realistic novel
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction; Paris (France) -- Fiction
In the Rue Neuve-Saint-Augustin, a block of vehicles arrested the cab
which was bringing Octave Mouret and his three trunks from the Lyons
railway station. The young man lowered one of the windows, in spite of
the already intense cold of that dull November afternoon. He was
surprised at the abrupt approach of twilight in this neighbourhood of
narrow streets, all swarming with a busy crowd. The oaths of the
drivers as they lashed their snorting horses, the endless jostlings on
the foot-pavements, the serried line of shops swarming with attendants
and customers, bewildered him; for, though he had dreamed of a cleaner
Paris than the one he beheld, he had never hoped to find it so eager
for trade, and he felt that it was publicly open to the appetites of
energetic young fellows.
The driver leant towards him.
“It’s the Passage Choiseul you want, isn’t it?”
“No, the Rue de Choiseul. A new house, I think.”
And the cab only had to turn the corner. The house was the second one
in the street: a big house four storeys high, the stonework of which
was scarcely discoloured, in the midst of the dirty stucco of the
adjoining old frontages. Octave, who had alighted on to the pavement,
measured it and studied it with a mechanical glance, from the silk
warehouse on the ground floor to the projecting windows on the fourth
floor opening on to a narrow terrace. On the first floor, carved female
heads supported a highly elaborate cast-iron balcony. The windows were
surrounded with complicated frames, roughly chiselled in the soft
stone; and, lower down, above the tall doorway, two cupids were
unrolling a scroll bearing the number, which at night-time was lighted
up by a jet of gas from the inside.
A stout fair gentleman, who was coming out of the vestibule, stopped
short on catching sight of Octave.
“What! you here!” exclaimed he. “Why, I was not expecting you till
to-morrow!”
“The truth is,” replied the young man, “I left Hassans a day earlier
than I originally intended. Isn’t the room ready?”
“Oh, yes. I took it a fortnight ago, and I furnished it at once in the
way you desired. Wait a bit, I will take you to it.”
He re-entered the house, though Octave begged he would not give himself
the trouble. The driver had got the three trunks off the cab. Inside
the doorkeeper’s room, a dignified-looking man with a long face,
clean-shaven like a diplomatist, was standing up gravely reading the
“Moniteur.” He deigned, however, to interest himself about these trunks
which were being deposited in his doorway; and, taking a few steps
forward, he asked his tenant, the architect of the third floor as he
called him:
“Is this the person, Monsieur Campardon?”
“Yes, Monsieur Gourd, this is Monsieur Octave Mouret, for whom I have
taken the room on the fourth floor. He will sleep there and take his
meals with us. Monsieur Mouret is a friend of my wife’s relations, and
I beg you will show him every attention.”
Public-domain text, read in full here on John Shaqi.
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