Piping hot! (Pot-bouille) : $b a realistic novelZola, Émile
History
Piping hot! (Pot-bouille) : $b a realistic novel
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction; Paris (France) -- Fiction
Octave was examining the entrance with its panels of imitation marble
and its vaulted ceiling decorated with rosettes. The courtyard at the
end was paved and cemented, and had a grand air of cold cleanliness;
the only occupant was a coachman engaged in polishing a bit with a
chamois leather at the entrance to the stables. There were no signs of
the sun ever shining there.
Meanwhile, Monsieur Gourd was inspecting the trunks. He pushed them
with his foot, and, their weight filling him with respect, he talked of
fetching a porter to carry them up the servants’ staircase.
“Madame Gourd, I’m going out,” cried he, just putting his head inside
his room.
It was like a drawing-room, with bright looking-glasses, a red flowered
Wilton carpet and violet ebony furniture; and, through a partly opened
door, one caught a glimpse of the bed-chamber with a bedstead hung with
garnet rep. Madame Gourd, a very fat woman with yellow ribbons in her
hair, was stretehed out in an easy-chair with her hands clasped, and
doing nothing.
“Well! let’s go up,” said the architect.
And seeing how impressed the young man seemed to be by Monsieur Gourd’s
black velvet cap and sky blue slippers, he added, as he pushed open the
mahogany door of the vestibule:
“You know he was formerly the Duke de Vaugelade’s valet.”
“Ah!” simply ejaculated Octave.
“It’s as I tell you, and he married the widow of a little bailiff of
Mort-la-Ville. They even own a house there. But they are waiting until
they have three thousand francs a year before going there to live. Oh!
they are most respectable doorkeepers!”
The decorations of the vestibule and the staircase were gaudily
luxurious. At the foot of the stairs was the figure of a woman, a kind
of gilded Neapolitan, supporting on her head an amphora from which
issued three gas-jets protected by ground glass globes. The panels of
imitation white marble with pink borders succeeded each other at
regular intervals up the wall of the staircase, whilst the cast-iron
balustrade with its mahogany hand-rail was in imitation of old silver
with clusters of golden leaves. A red carpet, secured with brass rods,
covered the stairs. But what especially struck Octave on entering was a
green-house temperature, a warm breath which seemed to be puffed from
some mouth into his face.
“Hallo!” said he, “the staircase is warmed.”
“Of course,” replied Campardon. “All landlords who have the least
self-respect go to that expense now. The house is a very fine one, very
fine.”
He looked about him as though he were sounding the walls with his
architect’s eyes.
“My dear fellow, you will see, it is a most comfortable place, and
inhabited solely by highly respectable people!”
Public-domain text, read in full here on John Shaqi.
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