Piping hot! (Pot-bouille) : $b a realistic novelZola, Émile
History
Piping hot! (Pot-bouille) : $b a realistic novel
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction; Paris (France) -- Fiction
Then, slowly ascending, he mentioned the names of the different
tenants. On each floor were two separate suites of apartments, one
looking on to the street, the other on to the courtyard, and the
polished mahogany doors of which faeed eaeh other. He began by saying a
few words respecting Monsieur Auguste Vabre; he was the landlord’s
eldest son; since the spring he had rented the silk warehouse on the
ground floor, and he also occupied the whole of the “entresol” above.
Then, on the first floor the landlord’s other son, Monsieur Théophile
Vabre and his wife, resided in the apartment overlooking the courtyard;
and in the one overlooking the street lived the landlord himself,
formerly a notary at Versailles, but who was now lodging with his
son-in-law, Monsieur Duveyrier, a judge at the Court of Appeal.
“A fellow who is not yet forty-five,” said Campardon, stopping short.
“That’s something remarkable, is it not?”
He ascended two steps, and then suddenly turning round, he added:
“Water and gas on every floor.”
Beneath the tall window on each landing, the panes of which, bordered
with fretwork, lit up the staircase with a white light, was placed a
narrow velvet covered bench. The architect observed that elderly
persons could sit down and rest. Then, as he passed the second floor
without naming the tenants.
“And there?” asked Octave, pointing to the door of the principal suite.
“Oh! there,” said he, “persons whom one never sees, whom no one knows.
The house could well do without them. Blemishes, you know, are to be
found everywhere.”
He gave a little snort of contempt.
“The gentleman writes books, I believe.”
But on the third floor his smile of satisfaction reappeared. The
apartments looking on to the courtyard were divided into two suites;
they were occupied by Madame Juzeur, a little woman who was most
unhappy, and a very distinguished gentleman who had taken a room to
which he came once a week on business matters. Whilst giving these
particulars, Campardon opened the door on the other side of the
landing.
“And this is where I live,” resumed he. “Wait a moment, I must get your
key. We will first go up to your room; you can see my wife afterwards.”
During the two minutes he was left alone, Octave felt penetrated by the
grave silence of the staircase. He leant over the balustrade, in the
warm air which ascended from the vestibule; he raised his head,
listening if any noise came from above. It was the death-like
peacefulness of a middle-class drawing-room, carefully shut in and not
admitting a breath from outside. Behind the beautiful shining mahogany
doors there seemed to be unfathomable depths of respectability.
Public-domain text, read in full here on John Shaqi.
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