Plain Mary Smith: A Romance of Red SaundersPhillips, Henry Wallace
General
Plain Mary Smith: A Romance of Red Saunders
Phillips, Henry Wallace
Fiction; Humorous stories
The first part of the _Matilda's_ trip slid by, day after day, like a
happy dream. We had weather that couldn't be bettered; days of sunlight
and pretty sailing breezes; nights picked out of heaven. The moon was in
her glory. I like high land better than I do the ocean, but few sights
can beat a full moon swelling over the glitter of water. There's also a
snugness, a cozy, contented feeling, aboard a small boat, that you can't
get elsewhere, except in a prairie camp. I suppose it's the contrast
between so much space of sky and land or water, where people are not,
and the little spot where they are, that makes your partners rise in
value.
Of course, the fact that it was my first cutaway puts a gilt edge on all
that time, yet one other thing, a new thing, that made all my life
different for me, must get its credit. That was music,--good music. Back
home they weren't much in the musical line. I think I can remember when
mother used to play the piano some, but her life soon jarred all that
out of her. Bar here and there a man with a mouth-organ or a concertina,
and a fiddler to do dance-tunes, the only thing that stood for music to
me was the singing in father's church. I have since thought that anybody
who could stand that once a week was certainly a good Christian. I
remember one Sunday the preacher told us about heaven, and how it was a
steady line of harps and hymn-tunes. I put in the rest of that Sunday
bewildered. I didn't want to go to hell, and after that description of
heaven I wasn't anxious to go there, neither. Looked like the hereafter
was dark and uncertain.
But when I first heard Saxton, with his fiddle; Barbado Joe, the nigger
cook, with the guitar; and Mary singing, my soul just laid on its back
and purred. I was standing at the rail, thinking, kind of misty
kid-fashion, one moonlit night, when there came a ripple of little notes
from the guitar, with three wind-up chords like spring water in the
desert. Then old Sax's fiddle 'way, 'way up; so light, so delicate, so
sweet and pretty that shivers ran down my back. I stiffened like a
pointer-pup first smelling game. "Here's something," I thought,
"something that's me, all right, but I don't understand yet." And then,
Mary's voice rose gorgeous out of the bigness of sky and moonlight and
water; it filled the whole empty world, without an effort. Me and the
moon and the waves stopped dead and listened. Even the _Matilda_ trod
the water gently.
I turned and looked at Mary. There's no way for me to tell you what a
picture she made. If I say she was beautiful, you'll think of some woman
you know, and that's wrong, for there never was another like Mary. She
was always beautiful, but never else had quite the touch as when lost in
her singing. Man, she was Paradise itself, and when she opened her lips
and sang, you entered the gates thereof.
Public-domain text, read in full here on John Shaqi.
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