Plain Mary Smith: A Romance of Red Saunders — John Shaqi
Plain Mary Smith: A Romance of Red SaundersPhillips, Henry Wallace
General
Plain Mary Smith: A Romance of Red Saunders
Phillips, Henry Wallace
Fiction; Humorous stories
Of course, everybody's heard good singing, the same as everybody's seen
handsome faces, but once in a while you strike a face or a voice that's
beyond all guessing. You'd never believed it, if you hadn't seen or
heard it.
She sang as easily as you think,--opened her lips and it rolled out.
And, in spite of power that could ring the air for miles and never seem
loud, a deep something trembled underneath that was the very soul of
pity and womankindness, and another little something floated high and
joyful above it like the laugh of a child. Yes, sir. That voice was
food, drink, and clean blankets. When she stopped, I thought I never
wanted to hear a sound again. But I didn't know the limit of old Sax.
With her voice quivering in his heart, he grabbed up his wooden box and
made a miracle. Sure, it was different; but just as sure he tore a hole
in you. His eyes were on Mary, backing the story the violin was telling.
She was giving way, too. Her eyes would meet his, as if she couldn't
help herself. He'd promised not to speak, but that didn't stop the old
fiddle from making out the prettiest kind of case.
[Illustration: "He grabbed up his wooden box and made a miracle"]
She sat with her chin in her hand, breathing deep. The violin would give
a tug at her, and, as I say, her eyes would turn to Sax, and then she'd
force them away again, over the water, slowly down to the deck once
more. She was frightened. I don't blame her, for Sax was out of himself.
He towered there in the moonlight making those inhumanly beautiful
sounds, his face burning white and his eyes burning black, fire clean
through, fire in every soople muscle, fire pulsing out of every heave of
his shoulders, one handsome and scary figure. There was something so
out-and-out wild in him, I swear he looked as if he could call up devils
from the sea.
Well, when a man does get beyond the ordinary he scares the rest of the
tribe. If two fellows start to fight, the bystanders will try to
separate them. It's kind of instinct--I've done it many a time myself,
when it would have been better to let the boys whack 'emselves
good-natured instead of keeping the grudge sour on their stomachs.
Anyway, I can't blame Mary for feeling leery of Sax when I confess that
he put creeps in my spine. He seemed to grow till he filled the bow of
the boat; the fiddle sung in my ears till I couldn't think straight;
heavy medicine in it, you bet. Mary got whiter and whiter. I saw her
constantly wetting her lips, and her hand went to her heart. The whole
night was changed. The air was full of war and uneasiness. I wish to
Heaven I knew how it might have ended, if nothing interrupted, because
Saxton was doing magic. It was the queerest feeling I ever had. What
Mary's feelings were I'd give something to know, but just when things
were the tightest old Jesse come up and pulled my sleeve.
"Get the girl below quiet," he says. "Hell will be loose in a minute."
Public-domain text, read in full here on John Shaqi.
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