Great Britain -- History; Theater -- Great Britain -- History; Theater -- Moral and ethical aspects; Theater -- Religious aspects
Bishop Hall, in his ‘Satires,’ describes things bad enough, though not so
bad as Marston does; but what is even more to the purpose, he wrote, and
dedicated to James, a long dissuasive against the fashion of running
abroad. Whatever may be thought of the arguments of ‘Quo vadis?—a
Censure of Travel,’ its main drift is clear enough. Young gentlemen, by
going to Italy, learnt to be fops and profligates, and probably Papists
into the bargain. These assertions there is no denying. Since the days
of Lord Oxford, most of the ridiculous and expensive fashions in dress
had come from Italy, as well as the newest modes of sin; and the
playwrights themselves make no secret of the fact. There is no need to
quote instances; they are innumerable; and the most serious are not fit
to be quoted, scarcely the titles of the plays in which they occur; but
they justify almost every line of Bishop Hall’s questions (of which some
of the strongest expressions have necessarily been omitted):—
‘What mischief have we among us which we have not borrowed?
‘To begin at our skin: who knows not whence we had the variety of our
vain disguises? As if we had not wit enough to be foolish unless we
were taught it. These dresses, being constant in their mutability,
show us our masters. What is it that we have not learned of our
neighbours, save only to be proud good-cheap? whom would it not vex
to see how that the other sex hath learned to make anticks and
monsters of themselves? Whence come their (absurd fashions); but the
one from some ill-shaped dame of France, the other from the
worse-minded courtesans of Italy? Whence else learned they to daub
these mud-walls with apothecaries’ mortar; and those high washes,
which are so cunningly licked on that the wet napkin of Phryne should
he deceived? Whence the frizzled and powdered bushes of their
borrowed hair? As if they were ashamed of the head of God’s making,
and proud of the tire-woman’s. Where learned we that devilish art
and practice of duel, wherein men seek honour in blood, and are
taught the ambition of being glorious butchers of men? Where had we
that luxurious delicacy in our feasts, in which the nose is no less
pleased than the palate, and the eye no less than either? wherein the
piles of dishes make barricadoes against the appetite, and with a
pleasing encumbrance trouble a hungry guest. Where those forms of
ceremonious quaffing, in which men have learned to make gods of
others and beasts of themselves, and lose their reason while they
pretend to do reason? Where the lawlessness (miscalled freedom) of a
wild tongue, that runs, with reins on the neck, through the
bedchambers of princes, their closets, their council tables, and
spares not the very cabinet of their breasts, much less can be barred
out of the most retired secrecy of inferior greatness? Where the
Public-domain text, read in full here on John Shaqi.
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