Great Britain -- History; Theater -- Great Britain -- History; Theater -- Moral and ethical aspects; Theater -- Religious aspects
These have full liberty to say all they can in praise of the defeated
system; but the historian has no such liberty to state the case against
it. If he even asserts that he has counter-facts, but dare not state
them, he is at once met with a _præjudicium_. The mere fact of his
having ascertained the truth is imputed as a blame to him, in a sort of
prudish cant. ‘What a very improper person he must be to like to dabble
in such improper books that they must not even be quoted.’ If in
self-defence he desperately gives his facts, he only increases the
feeling against him, whilst the reactionists, hiding their blushing
faces, find in their modesty an excuse for avoiding the truth; if, on the
other hand, he content himself with bare assertion, and with indicating
the sources from whence his conclusions are drawn, what care the
reactionists? They know well that the public will not take the trouble
to consult manuscripts, State papers, pamphlets, rare biographies, but
will content themselves with ready-made history; and they therefore go on
unblushing to republish their old romance, leaving poor truth, after she
has been painfully haled up to the well’s mouth, to tumble miserably to
the bottom of it again.
* * * * *
In the face of this danger we will go on to say as much as we dare of the
great cause, Puritans _v._ Players, before our readers, trusting to find
some of them at least sufficiently unacquainted with the common notions
on the point to form a fair decision.
* * * * *
What those notions are is well known. Very many of her Majesty’s
subjects are of opinion that the first half of the seventeenth century
(if the Puritans had not interfered and spoilt all) was the most
beautiful period of the English nation’s life; that in it the chivalry
and ardent piety of the Middle Age were happily combined with modern art
and civilisation; that the Puritan hatred of the Court, of stage-plays,
of the fashions of the time, was only ‘a scrupulous and fantastical
niceness’; barbaric and tasteless, if sincere; if insincere, the basest
hypocrisy; that the stage-plays, though coarse, were no worse than
Shakspeare, whom everybody reads; and that if the Stuarts patronised the
stage they also raised it, and exercised a purifying censorship. And
many more who do not go all these lengths with the reactionists, and
cannot make up their mind to look to the Stuart reigns either for model
churchmen or model courtiers, are still inclined to sneer at the Puritan
‘preciseness,’ and to say lazily, that though, of course, something may
have been wrong, yet there was no need to make such a fuss about the
matter; and that at all events the Puritans were men of very bad taste.
Public-domain text, read in full here on John Shaqi.
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