Po-No-Kah: An Indian Tale of Long Ago — John Shaqi
Po-No-Kah: An Indian Tale of Long AgoDodge, Mary Mapes
General
Po-No-Kah: An Indian Tale of Long Ago
Dodge, Mary Mapes
Children's stories, American; Indians of North America -- Juvenile fiction
There are bright sides, as well as dark, to the Indian character; and in
considering their cruelties and inhuman practices, we must remember that
the white man has not always been just to him or set a good example to
his uncivilized brother, or been careful not to provoke him to deeds of
resentment and wrong. An Indian rarely forgets a kindness, and he never
tells a lie. He is heroic, and deems it beneath a man's dignity to
exhibit the slightest sign of pain under any circumstances. Among the
Sioux tribe of that time, the boys were trained from the first to bear
as much hardship as possible. They had a ceremony called the Straw
Dance, in which children were forced to maintain a stately and measured
step, while bunches of loose straws tied to their naked bodies were
lighted and allowed to burn slowly away. Any poor little creature who
flinched or "broke step" was sorely punished and held in disgrace.
There were certain dances among the Indians performed by the warriors,
before going either to battle or to the hunt. If to battle, they spent
hours, and often whole days and nights together, in the fearful
war-dance, accompanied by clashing on their drumlike instruments, and
whoops that rang long and loud amid the echoing hills. If to the hunt,
the Bear-Dance or the Buffalo-Dance was kept up nights and days before
starting, in order to propitiate the Bear Spirit or Buffalo Spirit,
whichever it might be. They had a funeral dance also, which was very
solemn and impressive. And if a chieftain was to be buried, either in
the river, or, as among the Mandans, on a rough platform erected on
poles high up from the ground, the warriors danced before his wigwam,
and assigned to a few of their number the duty of seeing that his widow
and children, if he left any, should never be without food and shelter.
Kitty and Rudolph often looked on with, mingled feelings of terror and
delight, while some of these strange ceremonies were being enacted. It
was curious to see the stalwart warriors, with bent backs and glum
faces, and many a grunt or whoop, stamp through the measured dance.
Often Kitty would clutch her brother's arm in terror, when, in strange
concert, the savages would suddenly halt, and with fiendish look and
stealthy gesture, seem to be listening to the approach of an enemy.
Sometimes, too, the women danced, but always apart from the men. Even in
their games the warriors and squaws never played together. Among the
Crow Indians, famous for their long black hair, it was not uncommon for
a thousand young men to play in one game of ball for three or four
consecutive days without interruption. As soon as one player retired,
exhausted, another took his place. Often hundreds of women played
together, and they were generally as expert as the men in throwing and
catching the ball.
Public-domain text, read in full here on John Shaqi.
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