Americans -- England -- Fiction; Authors -- Fiction; Families -- Fiction; Love stories
a tight mouth, not naturally tight, but one that had been tightened by
driving and riding. It was absurd to walk up and down forever like this;
the acquaintance must be made immediately or not at all; it would never
do to hang round them waiting for an opportunity of conversation. John
decided to venture a simple remark the next time he met them face to
face; but when he arrived at the after end of the promenade deck they
had vanished, and the embarrassing thought occurred to him that perhaps
having divined his intention they had thus deliberately snubbed him. He
went to the rail and leaned over to watch the water undulating past; a
sudden gust caught his cap and took it out to sea. He clapped his hand
too late to his head; a fragrance of carnations breathed upon the salt
windy sunlight; a voice behind him, softly tremulous with laughter,
murmured:
"I say, bad luck."
John commended his deerstalker to the care of all the kindly Oceanides
and turned round: it was quite easy after all, and he was glad that he
had not thought of deliberately letting his cap blow into the sea.
"Look, it's actually floating like a boat," she exclaimed.
"Yes, it was shaped like a boat," John said; he was thinking how absurd
it was now to fancy that swiftly vanishing, utterly inappropriate piece
of concave tweed should only a few seconds ago have been worn the other
way round on a human head.
"But you mustn't catch cold," she added. "Haven't you another cap?"
John did possess another cap, one that just before he left England he
had bought about dusk in the Burlington Arcade, one which in the velvety
bloom of a July evening had seemed worthy of summer skies and seas, but
which in the glare of the following day had seemed more like the shreds
of barbaric attire that are brought back by travelers from exotic lands
to be taken out of a glass case and shown to visitors when the
conversation is flagging on Sunday afternoons in the home counties. Now
if John's plays were full of fierce hues, if his novels had been sepia
studies of realism which the public considered painful and the critics
described as painstaking, his private life had been of a mild uniform
pink, a pinkishness that recalled the chaste hospitality of the best
spare bedroom. Never yet in that pink life had he let himself go to the
extent of wearing a cap, which, even if worn afloat by a colored
prizefighter crossing the Atlantic to defend or challenge supremacy,
would have created an amused consternation, but which on the head of a
well-known romantic playwright must arouse at least dismay and possibly
panic. Yet this John (he had reached the point of regarding himself with
objective surprise), the pinkishness of whose life, though it might be a
protest against cynicism and gloom, was eternally half-way to a blush,
went off to his cabin with the intention of putting on that cap. With
himself for a while he argued that something must be done to imprison
Public-domain text, read in full here on John Shaqi.
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