Hugh went to the station with his new-found friend and sat down in the lighted office. The railroad man got out a sheet of paper and began to write a letter. “I'm going to get you that job,” he said. “I'm writing the letter now and I'll get it off on the midnight train. You've got to get on your feet. I was a boozer myself, but I cut it all out. A glass of beer now and then, that's my limit.” He began to talk of the town in Ohio where he proposed to get Hugh the job that would set him up in the world and save him from the habit of drinking, and described it as an earthly paradise in which lived bright, clear-thinking men and beautiful women. Hugh was reminded sharply of the talk he had heard from the lips of Sarah Shepard, when in his youth she spent long evenings telling him of the wonder of her own Michigan and New England towns and people, and contrasted the life lived there with that lived by the people of his own place. Hugh decided not to try to explain away the mistake made by his new acquaintance, and to accept the offer of assistance in getting the appointment as telegraph operator. The two men walked out of the station and stood again in the darkness. The railroad man felt like one who has been given the privilege of plucking a human soul out of the darkness of despair. He was full of words that poured from his lips and he assumed a knowledge of Hugh and his character entirely unwarranted by the circumstances. “Well,” he exclaimed heartily, “you see I've given you a send-off. I have told them you're a good man and a good operator, but that you will take the place with its small salary because you've been sick and just now can't work very hard.” The excited man followed Hugh along the street. It was late and the store lights had been put out. From one of the town's two saloons that lay in their way arose a clatter of voices. The old boyhood dream of finding a place and a people among whom he could, by sitting still and inhaling the air breathed by others, come into a warm closeness with life, came back to Hugh. He stopped before the saloon to listen to the voices within, but the railroad man plucked at his coat sleeve and protested. “Now, now, you're going to cut it out, eh?” he asked anxiously and then hurriedly explained his anxiety. “Of course I know what's the matter with you. Didn't I tell you I've been there myself? You've been working around. I know why that is. You don't have to tell me. If there wasn't something the matter with him, no man who knows telegraphy would work in a sawmill. “Well, there's no good talking about it,” he added thoughtfully. “I've given you a send-off. You're going to cut it out, eh?”