In the letter to Cardinal Respighi, cardinal-vicar of Rome, written a few weeks later, the pope laments once more that the beautiful musical tradition of the classical Roman school had almost totally disappeared. "For the devout psalmody of the clergy," he writes, alluding to the singing of Vespers, in which the people also used to join, "there have been substituted interminable musical compositions on the words of the Psalms, all of them modelled on theatrical works, and most of them of such poor quality that they would not be tolerated for a moment even in second-rate concerts. Gregorian chant," he continues, "as it was handed down by the Fathers and is found in the codices of the various churches, is noble, quiet, easy to learn, and of a beauty so fresh and full of surprises that wherever it has been introduced it has never failed to excite real enthusiasm in the youthful singers." The motu proprio was received with joy by many, and with consternation by those who believed that operatic music was an attraction to the multitude. "We are going to have good music in church," observed Pius X to Don Perosi. "The pope has not been slow in carrying his words into effect," said a writer in the _Ecclesiastical Review_. "May he live long, this lover of the sanctuary and of the beauty of holiness; and may his kindly face soften those hard hearts that can still bring themselves to sing _bravura_, not to say _buffo_, boldly before the Blessed Sacrament, with fearsome shriekings, tremblings and trills." Some hearts were not softened. Pius had spoken the truth when he said, "The pleasure of a depraved taste rises in hostility to sacred music; for it cannot be denied that profane music, so easy of comprehension and so specially full of rhythm, finds favour in proportion to the want of a true and good musical education among those who listen to it." That reform was necessary in England may be shown by the impression made on a serious outsider by the music in use in some of our Catholic churches. "You have Miss A. singing duets with Miss B. to the words, 'Domine Fili Jesu Christe' as if they were singing 'O that we two were maying,' or 'There's Life in the Old Horse yet,' and to music which would disgrace a tenth-rate writer of music-hall songs. Or if it be a male choir, you hear thunderous basses without a note in tune, and emasculated tenors . . . engaged over worrying the most solemn words of the Creed as though they were prize dogs, and the Creed a pack of rats." It was not that the pope cared for nothing but classical church music and Gregorian chant. He was a lover of all good music, whether sacred or secular. But he considered that operatic music, however beautiful, was unsuited to the sanctuary. It is possible to admire the pictures of Watteau, without desiring to see them used as altar-pieces.