Harkness spoke rapidly. "There is no time at all, but I want you to know
that I was in the room at the top of the house just now when you were
there. I heard everything. I apologise for overhearing. I could not
escape, but I want you to know that if there's anything I can
do--anything in the world--I will do it. Tell me if there is. We have
only a moment."
On looking back afterwards he thought it marvellous of her that,
realising who was behind them, she scarcely turned her head, showed no
emotion, but speaking swiftly, answered:
"Yes, I am in great trouble--desperate trouble. I am sure you are kind.
There is a thing you can do."
"Tell me," he urged. They were now nearly by the door and the two men
were coming up.
"I have a friend. I told him that if I would agree to his plan I would
send a message to him to-night. I did not mean to agree, but now--I'm
not brave enough to go on. He is to be at half-past nine at a little
hotel--'The Feathered Duck'--on the sea-front. Any one will tell you
where it is. His name is Dunbar. He is young, short, you can't mistake
him. He will be waiting there. Go to him. Tell him I agree. I'll never
forget . . ."
Crispin's forehead confronted them. "What do you say to this? Here is a
sheltered corner."
Dunbar? Dunbar? Where had he heard the name before?
They all sat down.
PART II: THE DANCE ROUND THE
TOWN
I
Quarter of an hour later he left them, making his excuses, promising to
return at half-past ten. He could not have stayed another moment,
sitting there quietly in his wicker armchair looking out on the
darkening garden, listening to Crispin's pleasure in Peter Breughel,
without giving some kind of vent to his excitement.
He must get away and be by himself. Because--yes, he knew it, and
nothing could alter the vehement pulsating truth of it--he was in love
for the first time in his life.
As he threaded his way along the garden paths that was at first all that
he could see--that he was in love with that child in the shabby frock
who was married to that odious creature, that bag-of-bones, who had not
opened his mouth the whole evening long--that child terrified out of her
life and appealing to him, a stranger, in her despair, to help her.
In love with a married woman, he, Charles Percy Harkness? What would his
two sisters, nay, what would the whole of Baker, Oregon, say did they
know?
But, bless you, he was not in love with her like that--no hero of a
modern realistic novel he! He had no thought in that first ecstatic
glow, of any thought for himself at all--only his eyes were upon her, of
how he could help her, how serve her, now--at once--before it was too
late.
He was deeply touched that she should trust him, but he also realised
that at that particular moment she would have trusted anybody. And yet
she had waited, watching him through all the first part of that meal,
making up her mind--there was some tribute to him at least in that!
Public-domain text, read in full here on John Shaqi.
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