Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
A faint vein of mysticism is to be found in the work of FREI HEITOR
PINTO (_c._ 1528-1584?), who was born at the high-lying little town
of Covilhan and professed in the famous Convento dos Jeronimos at
Belem in 1543. After taking the degree of Doctor of Theology at
Siguenza he in 1567 competed for a Chair at Salamanca University, but
came into collision with Fray Luis de Leon, and in a bitter contest
between the Hieronymite and Augustinian Orders Pinto was defeated. He
returned to Portugal, became Professor of the new Chair of Scripture
at Coimbra University in 1576, Rector of the University and Provincial
of his Order.[554] After the death of the Cardinal-King he appears
vehemently to have espoused the cause of the Prior of Crato. King
Philip accordingly invited Pinto to accompany him to Spain--he was
one of the fifty excluded from the amnesty of 1581--and scandal added
that the king had him poisoned there in 1584. Pinto was an eminent
divine, a man of wide learning, a master of Portuguese prose, and he
appears to have inspired his pupils with affection; but King Philip
could scarcely have considered him worth poisoning, especially when
removed from his sphere of influence. No doubt he went to Spain with
extreme reluctance--on other occasions of his busy life when the
affairs of his Order drove him to France and Italy he had sighed in
tears (in spite of his interest in travel, his love of Nature, and
especially his antiquarian curiosity[555]) for his quiet cell at Belem,
‘where he had lived many years in great content’. Perhaps too he had
not forgotten his defeat at Salamanca. ‘King Philip’, he now said
sturdily, ‘may put me into Castille but never Castille into me.’ Pinto
wrote commentaries on various books of the Old Testament, which were
published in Latin, but his principal work consists in the dialogues,
_a maneira dos de Platão_, of his _Imagem da Vida Christam_ (1563),
followed by the _Segunda Parte dos Dialogos_ (1572). The first part has
six dialogues, the subjects being true philosophy, religion, justice,
tribulation, the solitary life,[556] and remembrance of death. The five
of the second part treat of tranquillity of life, discreet ignorance,
true friendship, causes,[557] and true and spurious possessions. It
is impossible to read a page of these dialogues and not be struck by
the extraordinary fascination of their style. It is concise and direct
without ever losing its harmony. Perhaps its best testimonial is
that its magic survives the innumerable quotations, although one may
regret that the work was not written, like the _Trabalhos de Jesus_,
in a dungeon instead of in a well-stocked library.[558] Apart from
the proof it affords of the exceptional capacity of the Portuguese
language for combining softness and vigour, the work contains much
ingenious thought, charming descriptions, and elaborate similes. Some
twenty editions in various languages before the end of the century
show how keenly it was appreciated.
Public-domain text, read in full here on John Shaqi.
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