Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
almost exclusively that of the _trouvères_ of the North had not the
more generous enthusiasm of Provence penetrated across the frontier
into Spain. Trade was fairly active in the thirteenth century between
Portugal and England, North France and Flanders. Many of the members
of the religious orders--as the Cluny Benedictines--who occupied
the territory of the Moors in Portugal were Frenchmen. With foreign
colonists the new towns were systematically peopled. The number of
French pilgrims was such that the road to Santiago became known as
the ‘French Road’. The Crusades also brought men of many languages
to Portugal.[70] The Court by descent and dynastic intermarriage
was cosmopolitan; but indeed the life of the whole Peninsula was
cosmopolitan to an extent which tallies ill with the idea of the Middle
Ages as a period of isolation and darkness. The Portuguese had already
begun to show their fondness for _novedades_. Yet it was they who
imposed their, the Galician, language. As the Marqués de Santillana
observed and the _Cancioneiros_ prove, lyric poets throughout the
Peninsula used Galician.[71] Probably the oldest surviving instance of
this language in verse by a foreigner is to be found (ten lines) in a
_descort_ (_descordo_) written by Raimbaud de Vaqueiras (1158-1217)
at the Court of Bonifazio II of Montferrat towards the end of the
twelfth century. We cannot doubt that the character and conditions
of the north-west of the Peninsula had permitted a thread of lyric
poetry to continue there ever since Silius Italicus had heard the youth
of Galicia wailing (_ululantem_) their native songs, and that both
language and literature had the opportunity to develop earlier there
than in the rest of Spain. The tide of Moorish victory only gradually
ebbed southward, and the warriors in the sterner country of Castille,
with its fiery sun and battles and epics, would look back to the green
country of Galicia as the idyllic land of song, a refuge where sons
of kings and nobles could spend their minority in comparative peace.
When from the ninth century Galicia became a second Holy Land its
attractions and central character were immeasurably increased. Pilgrims
thither from every country would return to their native land with some
words of the language, and those acquainted with Provençal might note
the similarity and the musical softness of Galician.[72] It is not
certain that the eldest of the ten children of San Fernando, ALFONSO
X (1221?-84), _el Sabio_, King of Castille and Leon, Lord of Galicia,
and brother-in-law of our Edward I, passed his boyhood in Galicia. But
when he was compiling a volume of poems referring to many parts of the
world besides Spain, to Canterbury and Rome, Paris and Alexandria,
Lisbon, Cologne, Cesarea, Constantinople, he would naturally choose
Galician not only, or indeed chiefly, because it was the more graceful
and pliant medium for lyric verse but because it was the most widely
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account